Pineapple applique quilt in standard red and green colors, about
1850.
and as a repeat block through the end of the 19th century.
Quilt attributed to Italian-born Rachel Boggiano about 1880 from the New York project
"One of the most favored of all post-Colonial designs....a symbol of domestic hospitality."
Late 19th century, attributed to the Dyer family of Arkansas
Her description has become standard text about pineapple quilts. As I often say, I get tired of arguing with Ruth Finley who is behind most of the American quilt myths that need to be busted.
Marketing and history---two different departments.
Smithsonian Collection. Attributed to an unknown New Yorker, captioned:
"The pineapple motif, often associated with hospitality."
Julia Blakely at the Smithsonian, The Prickly Meanings of the Pineapple
https://blog.library.si.edu/blog/2021/01/28/the-prickly-meanings-of-the-pineapple/
Blakely showed this 1657 plate from A True & Exact
History of the Island of Barbadoes, by Richard Ligon.
Their findings summarized: The pineapple, a South American fruit, was an expensive, imported luxury worth thousands, valued to show off one's wealth while entertaining.
Royal Collections Trust/Great Britain
King Charles II receiving a pineapple from the royal
gardener in the 1670s.
Rich people were known to rent pineapples for an event. They were a status symbol, an indicator of wealth and class.
Sort of like this Chanel handbag worth thousands today.
I am sure people rent Chanel bags for the same reasons.
I try not to be too hard on Ruth Finley lately. She documented her times.
Ruth Ebright Finley (1884-1955)
Who is to argue with the Rockefellers enthusiastically restoring the colonial Virginia capitol Williamsburg in the 1920s or the Southerners creating a white-washed image of their flawed pre-Civil-War culture.
Indianapolis Museum of Art Collection
For that matter, why applique
grapes....
or strawberries?
You can buy my Pop-In Applique Volume 3 with a couple of pages devoted to pineapples here:
https://barbarabrackman.blogspot.com/2015/06/baltimore-album-quilts-4x5s-and.html
https://barbarabrackman.blogspot.com/2016/08/digital-encyclopedia-of-applique-no.html
https://encyclopediaquiltpatterns.blogspot.com/2019/06/hospital-sketches-block-5-pineapple.html
https://barbarabrackman.blogspot.com/2024/01/phoebes-favorite-7-pineapple.html
https://barbarabrackman.blogspot.com/2021/04/two-unusual-applique-quilts-some-letters.html
Barbara, you've brought up a very good point that I've never questioned before. It must have been in "Early American Life" magazine that I first read about decorating for Christmas and saw a beautiful display featuring a pineapple. Within the text was the affirmation that pineapples were the symbols of hospitality. Hmmm. Thank you once again for helping me "re-think" history.
ReplyDeleteSan / Murphy, NC
"Did pineapples have any deep meaning to a 19th-century quiltmaker looking for designs?"
ReplyDeleteSince it seems an early 20th century invented story about the hospitality meaning, I'd say for 18th century quilters it was a matter of showing off their skills - who can do the most fiddy-est patterns the best. And perhaps a bit of "if we're not rich enough to have real pineapple on the table, at least we have one on our bed".
Did Ms Finley get anything right on her quilt "history" stories?
I will think about that question Gail.
Delete