Tuesday, September 28, 2021

Morris Wildflowers Free Pattern


I'm glad to say we have another William Morris reproduction collection
coming out at Moda.

Prints by the 19th-century English master designer William
Morris continue to be popular so we are gathering our favorites for
fabric that is scheduled to be in shops in September.

Strawberry Thieves and Willows, Anenomes and Honeysuckle. 
Sage and indigo shades, reds and ivories.

You can buy a Layer Cake pack of 10" squares.
 40 prints (a few repeats as there are 30 different prints)

So I thought about a bold wall-hanging to make the most
of those 10" squares. The 45" version uses your favorite dark
 20 prints plus some yardage:
1-1/2 yards of a light colored background & a long 1/4 yard of dark for stems.

The floral blocks finish to 15" so you are trimming the Layer Cake squares.

Finished measurements

Here's the pattern with template B for the flowers.
Print this on an 8-1/2 x 11" sheet of paper.

Or forget the template and use a fast piecing method for 2 squares.

Now I know it says September delivery but in this age of pandemics
and shipping delays we must be patient. I'm just giving you a heads up.
Lots of shops are taking pre-orders.

Thursday, September 23, 2021

Hexagon Quilts: Miscellaneous Info


Hexagons carefully cut from a stripe.
Maybe 1870-1890

British 1820–50. The Metropolitan Museum of Art
Gift of Adele Pharo Azar, in memory of her late husband,
Jemile Wehby Azar

Inspired by the May quilt on my Metropolitan Museum kitchen calendar I've been looking at hexagon patchwork, seeing if there is anything new on sources, etc.

The standard citation for first publication in the U.S. is still "1831 The American Girl's Book," in which it was called hexagon, six-sided or honey-comb patch-work. You can read this book at Google Books--- I had no idea it was a book, I always thought it was a magazine.

Design and text were copied in 1835 in Godey's Lady's Book---a magazine. By then Americans had been making the quilts for decades. Britons seem to have developed the style first. The earliest date-inscribed hexagon quilt found so far is attributed to Anna Ruggles of the British Isles, dated 1796 in the collection of International Quilt Museum.

From Bridget Long's dissertation Anonymous Needlework

The earliest date-inscribed American-made hexagon patchwork (an unfinished piece) has been dated by the newspaper templates as 1792-1803, attributed to Catherine and Susan Springer of New Castle County, Delaware.

Of course, the papers could be earlier than the patchwork.

Barbara Schaffer took detail photos when it was on display
a few years ago.

I also saw a list made about ten years ago by Lynne Z. Bassett, expert in early quilts. She noted:
  • The Newark Museum holds an unfinished top dated 1793.

  • The Bache family of Philadelphia holds a 1790s unfinished top.

  • The Wadsworth Atheneum Museum of Art holds a quilt made by Sarah Ewalt Spencer (1766−1842) of Bedford, Pennsylvania, acc.no.1982.165, dated 1794.
In 1860 Peterson's Magazine explained the basics of making template patchwork (basting fabric over paper templates.) Tin for the basic reusable pattern, paper for the templates and scraps from the rag bag.

Below a description of a quilt from the Huguenot Society of South Carolina.

Suzette should not have cut up the deeds to the French land but paper WAS expensive. Author above makes a common error in confusing octagon (8 sides) with hexagon (6 sides.)

Six sides---hexagon

Pentagons (5 sides) and hexagons will tesselate. Octagons
need another piece (square or triangle in the corners.)

Winterthur Museum
Detail of a hexagon center bordered with a field of octagon patchwork.

Update: Louise Tiemann found an 1814 reference to tessellating
patchwork in a London publication.

In 1827 a Charleston newspaper was telling readers about
hexagon quilts in England.

I haven't seen any early instructions for what we'd call fussy cutting,
centering the hexagon on a print figure.

A spectacular piece

In the collection of the Royal Ontario Museum
in Canada.

Their caption: Pieced quilt. Made in England; used in Barbados. 1800-1825.#949.259 Gift of Mr. and Mrs. R.J. Mercur. Barbados---quilts of the West Indies--- completely unexplored territory quilt history wise. At one time Barbados was the most prosperous of the British Caribbean colonies.

More careful cutting.

Some one was quite taken with an early roller-print
style of "storm clouds"

Similar print at the bottom in this one from Lila Laurette Carroll's

Detail from one from the Townsend-Pope family
quilts of South Carolina that Sharon Pinka has been studying.

Hexagon in a square from a New York sampler I own,
early 1860s.

Attributed to Hannah Wallis, Philadelphia
DAR Museum Collection

Susan Mueller recently posted pictures of a pair of blocks she was lucky enough to find at an American estate sale. They look to be block-prints---early 19th century. The paper foundations are newspapers dated 1800 to 1808.

The papers show just enough information we can guess
they were American-made.

A 1791 New York directory lists "Reily, Terence, hatter, 36, Wall street."

A Dr. Benjamin M. Stillman was a Revolutionary War soldier from 

An Elijah Bemis, born 1770, lived in Worcester, Massachusetts.

Mid 20th-century American
This intrepid quiltmaker probably called her design Grandmother's Flower Garden, a
20th-century name. What did their grandmothers' generation call the design?

In 1856 "Katinka" published an American tale Abbie Nott & Other Knotts, in which a hexagon quilt is named: "Job's troubles, that is to say, innumerable bits of red, yellow, and vari-colored calico, cut in hexagonal form." See the bottom of the page for speculation as to who Katinka really was.

Another possible name:
Job's Patience.

In 1868 Ella Wilson of Massachusetts won $1 with a Job's Patience quilt,
perhaps a hexagon.

Art Institute of Chicago
No doubt what she called the pattern.


Job's Troubles is an often-used nineteenth-century name.

Who was Katinka? Was she Walt Whitman wonders Roger Asselineau in The Evolution of Walt Whitman (University of Iowa Press, 1999.)