An old Fuddy-Duddy
Reproduction block by Becky Brown
Occasionally I run across a comment or overhear a shopper claiming that she doesn't care for reproduction prints because they are too drab.
Valerie's reproduction print block
See more about repro blocks every Wednesday at
Wendy at Constant Quilter
Nancy' Swanwick's stars.
She had a stack of 49 when
I photographed these.
I taught a class in these stars recently and the class was supposed to swap a star or two. Only 1 person of 25 would give up her stars. It wasn't me.
We liked them toooooo much.
Two by Amy
Two by Jeanne
3 by Louise
Check out our Flickr page:
Vintage quilt from about 1890-1920
Well I would say - have a look at the low-volume quilts thath modern quilters come up with if you want to know dull ...ReplyDelete
It's never one fabric alone - it's always the combination ...
I don't recall seeing those brighter colors in the reproductions fabrics section of the shops I go to. I wonder if it's the shop owner/buyer who either doesn't buy them or puts them with the newer brighter fabrics?ReplyDelete
I admit I usually think duller colors when I hear reproduction. But I also keep trying to remember that the original fabrics have faded, changed color, gotten dirty or stained, etc. I recall when they did chemical analysis on Mt Vernon paint layers everyone was shocked at the bright bold colors originally used.
I'm most familiar with your recent fabric collections of blues, reds, browns, etc. Have you ever done a collection in yellows, oranges or other bright colors?
I like drab;) I find the older fabrics and drab colors are more warming and relaxing to me, but I love a pop of color with folk art, in the house too.ReplyDelete
regarding my comment at 8:00 - I should also add - when I think of reproduction prints, I usually think of civil war era. Are there reproduction prints from other times? The only one I'm familiar with is 1930s feedsack reproductins.ReplyDelete
great post! Love those high volume colors of the 19th century.ReplyDelete
I LOVE those bright repros!! I hope you'll do a whole line for us - hint hint :)ReplyDelete
My star collection keeps growing. Smiling this morning!
Though these color combinations may look strange to the modern eye, when you put the quilts in a candle lit room, they glow.ReplyDelete
I have been using repro. fabrics for several years & have made a number of quilts using them. The most frequent comment people make is that my quilts are so brightly coloured. We forget that those muted colours that people associate with antique quilts did not start out muted!ReplyDelete
My quilt, "Sunset Over Lac Clara," was recently judged into the AQS Lancaster & Paducah quilt shows with its very bright early 19th C. reproduction chrome yellows, poison greens, double pinks, Prussian blues, etc. What fun colors they were to work with! It is truly "in your face" bright, and many were surprised that they were reproduction fabrics, thinking that all 19th C. repros are "dull."ReplyDelete
I remember going into a quilt shop and seeing chrome yellow for the first time and jokingly telling the owner, "I'm scared of that fabric!" but later using it for that "pop" of color that can seem a little jolting at first.
Thank you for educating us all on the beauty and history of different fabrics throughout the ages. Love your blog and the information you share!
The first antique quilt I bought was a Harrison Rose variation and what drew me were the bright red, yellowish green and chrome yellow. I had no idea at the time how old it was, it just went with my cheerful bedroom decor. If I had known it was so old I would have cared for it better!ReplyDelete
I've wondered when seeing a scrap of an original 19th century fabric that is a brighter color next to it's reproduction counterpart that is more muted or muddy in color why it didn't get reproduced in it's true original color? I do buy these brighter reproductions when I see them because they aren't as prevalent in a lot of shops.ReplyDelete
Wow, those stars are super cute in those bright fabrics!ReplyDelete