Molly Upton, Watchtower, 1975
Museum of Fine Arts Collection
Or not.
Watchtower Detail
A large quilt
I don't know what you were doing in 1975 but I was making quilts for beds, like this wool pineapple for my nephew.Nice enough but I remember when I saw Molly Upton's work. We all said, "Far Out,"
or whatever we said in 1976. I know it wasn't "Awesome!"
But Molly's quilts were awe inspiring to those of us looking for a new vision.
Blades, Molly Upton, 1974
What was she doing?
Martha Neill Upton (1953-1977)
Detail of Greek, 1974
92" x 80"
Nocturne Regalis, 1974
Pine Winter, 1974
Fanfare, 1976
These quilts are often quite large. Fanfare is 118" x 80"
Many of her quilts were shown at QuiltCon 2016 in an exhibit curated by Pam Weeks of the New England Quilt Museum.
Pam Weeks is the Binney Curator at the New England Museum. Molly
was a native New Englander so they have shown her work at the Museum.
Many visitors took photos of the quilts at QuiltCon. I've photoshopped a few of them here,
squaring up the pictures and cutting the work out of the background.
List of links to see more below.
Construction, 1975
74" x 80"
Construction published in the Quilt Engagement Calendar may have been my introduction to her work.
Symbol: Self Portrait Without a Mirror, 1976
78" x 65"
Solid color cottons were hard to find in the mid 1970s. It looks
like some of hers are fading and streaking, like this background.
Torrid Dwelling 1975, 98" x 92"
Forest Fire 1976, 40" x 56"
Alchemy, 1976
The Overcoat, 1976
Trip Around the Block 1976
I was talking to Pam Weeks the other day who reminded me that when Molly first began making quilts she had a design partner Susan Hoffman. At first they worked in pairs.
A Pair
Susan also has a piece in the Museum's collection.
20 feet x 6-1/2 feet
Susan made Coastline while Molly made Watchtower.
See Susan's webpage: http://sdhoffman.com/quilt/index.cgi
Coastline detail
Susan and Molly
Detail Pine Winter
I'm still in awe of Molly's sense of color and the right fabric. I've been planning a black and white quilt and I see where I have gone wrong. No tan. No other neutrals. It would have been too cold. Recalculating...
Detail of Watchtower
Photo credit: I pirated them from various bloggers:
https://artwools.com/2018/06/19/a-morning-in-lowell-then-on-the-road/lowell-susan-hoffman-and-molly-upton-early-1970s-cambridge-ma/ Susan Feller-Art Wools Studio
Fabric of a Nation has a catalog.
I feel so fortunate to have been able to get down to Boston to see this last week. I am still reeling from the experience. It was amazing to finally see some of my favorite antique quilts up close and personal. But, seeing The Watchtower in person was incredibly moving. I remember reading about her suicide not long after it happened and feeling such a sense of loss. We owe so much to these early artists, like Susan, Molly, Nancy Halpern and my friend Rhoda Cohen. Thanks for bringing so many of Molly's quilts together in one place.
ReplyDeleteI was blown away by the QuiltCon Exhibition. It was my introduction to her work. Thank you for sharing this Barbara. I love your blog posts!
ReplyDeleteAnd thanks for your photos!
DeleteThank you for the information on Molly Upton. I didn't know of her before today, that I recall. She made wonderful quilts, so sad her talent didn't continue on. Your comment on seeing her work for the 1st time in the 70s, gave me a giggle. I remember the outrage in the letters to the editor in Quilters Newsletter Magazine issues I have from back then about "how dare you publish such garbage!" and "those are NOT quilts!" when they published anything but non-traditional bed quilts. How wrong they were.
ReplyDeleteOff to check out the other links... the chores will have to wait a bit longer today
Absolutely amazing! I think she was a genius and it is so sad to hear of her depression and suicide. Thank you for sharing.
ReplyDeleteSuch an innovator for her time, now coming into acceptance so long later.
ReplyDeleteOh Molly, such beauty and such pain. I hope her creations were a comfort to her; she must have worked at quite a speed. I wonder if she had rural experiences in New England. The "Nocturne Regalis" appears to have been inspired by the Citheronia regalis moth, one of the largest of the night flyers with subtle, lovely colors. Thank you for introducing her and her work.
ReplyDelete