QUILTS & FABRIC: PAST & PRESENT


Showing posts with label International Quilt Study Center. Show all posts
Showing posts with label International Quilt Study Center. Show all posts

Wednesday, November 9, 2011

Edge Treatment

I made another visit to the International Quilt Study Center
 and Museum in Lincoln, Nebraska the other day.
There are two shows up right now.
Elegant Geometry: American and British Mosaic Patchwork,
curated by Bridget Long is up until January 8, 2012.

Lovers with a Broken Heart by Yvonne Wells

Yvonne Wells: Quilted Messages
is on exhibit until February 26, 2012

I've seen photos of Yvonne Well's quilts but it was great to see them
on the wall to see the scale and the detail.
In one gallery we thought about thinking big.
In the other we thought about thinking small.

But one thing the galleries had in common was fascinating edge treatments.
Here's an early 19th century fringe.

And an early example of an edge turned in---what we would call a knife edge.

A woven, colored twill tape from the 19th century.
 (For a while we were calling this Trenton tape
 but it was used in many places outside of New Jersey)

And then I noticed the edges on Yvonne Well's quilts.
What is that little bug along the binding?

A tiny triangle along the edge in another
 ---is Prairie Point the right word?

They just pop up.

Another 19th-century edge-no binding, no border.

This 19th century quilt is on a slant board,
possibly because the edge is so out of whack.
The quilt gets narrower with every descending row.
 The right edge of the photo is square, the quilt is not.

Next Saturday at IQSC: Storytelling in the gallery with artist Yvonne Wells.
Saturday, November 12, 2011, 11:00 AM and 1:00 PMhttp://www.quiltstudy.org/exhibitions/online_exhibitions/yvonne_wells/wells.html

See photos of the Yvonne Wells exhibit here:
http://www.quiltstudy.org/exhibitions/online_exhibitions/yvonne_wells/wells1.html

Wednesday, October 12, 2011

Excentrics in Nebraska


Elegant Geometry Curated by Bridget Long

You absolutely must see the exhibit at the International Quilt Study Center and Museum in Lincoln, Nebraska---if you like old fabric. I'm lucky enough that I can drive there in four hours so I plan to go back before it comes down in early January.


Hexagon mosaic, maker unknown
Probably made in United Kingdom, 1810-1830
108" x 106" IQSC 2006.056.0002
Gift of Clyde E. and Joan B. Shorey

On this trip my favorite thing was the quilt above. You can enjoy it at a distance as an interesting composition.


But it's the closeup view that makes it's spectacular. The maker sorted her fabrics carefully, creating areas of dark prints framing areas of light. She had an exceptionally diverse scrapbag, but diverse in a narrow category of prints---monochrome prints in blue, pink and brown.



These finely detailed florals and geometrics 
are calicoes printed with the latest roller printing technology---
up to date  in 1820.


The top was full of  excentric prints.



A proud printer testifying to the British Parliament in 1840 described these prints as "a particular style of design known by the name of 'excentrics,' in the production of which England surpasses every other nation in the world." Excentric prints (eccentric in American spelling) are fine geometric figures with jagged or wavy distortions.


Detail of the classic eccentric Lane's Net
from an American quilt about 1870


 Lane's Net is a specific eccentric print style with many variations.





 This top has more variations of Lane's Net than any I've seen.


The calico printer in 1840 described the invention of excentrics as an accident that occurred when a parallel stripe creased in the roller, "producing a new and unexpected effect. " Rather than discarding the misprint, he said, the enterprising mill owner (Mr. Lane?) was inspired to create a new fad for jagged stripes.

(Click on this photo and it will enlarge)

This version of accidental invention tends to be the origin story today (I've published it in my books). But the more I learn the more I doubt the tale. Eccentric prints were probably based less on accident and more on technological advances in lathes and other metal tools.

Drawing using excentric line

 The word excentric means odd or erratic (off-center) but it also refers to geometric ellipses and circles with centers at different points (as opposed to concentric circles.)

Bank note engraving making use of excentric curved lines

 
Toolmakers developed metal lathes with so-called excentric chucks that could create mechanical drawings of endless intricate line pattern, first used to engrave unforgeable bank note backgrounds. The English calico printers co-opted the technology as well as the name "excentric." 

Three eccentric prints making use of curves and straight lines
The name eccentric came to mean any geometric print with intricate line pattern.

Late-19th-century scraps of Lane's Net, named for the mill owner

 
Look for variations on Lane's Net throughout the 19th century. It makes a great print collection focus. As far as the earliest date: The calico printer said in 1840 that the design originated 30 years ago, so 1810 is a good starting point. I've seen Lane's Net into the 20th century and variations have been reproduced in the last 20 years.

Here's another excuse to visit Lincoln. There will be a lecture at IQSC on Tuesday October 25 at noon.
“The Art and Science of Patchwork Tessellations”,
Dr. Barbara Caron, IQSCM Assistant Director.
See more about the exhibit here:
And buy the catalog online here (It's sold only through the museum.)
The catalog is great, full of wonderful details, but if you want to see all the closeups you have to see the show. Photography without flash is permitted.

Read an 1841 essay on copyright in design that mentions Lane's Net by clicking here