QUILTS & FABRIC: PAST & PRESENT

QUILTS & FABRIC: PAST & PRESENT By Quilt Historian Barbara Brackman Above: Moda's Morris Earthly Paradise

Tuesday, November 24, 2009

Indigo Prints: Resist and Discharged Figures


Julie in Tennessee sent me blocks removed from an old comforter cover. She'd received them from a friend who was a member of the Shields family of Cades Cove, Tennessee. The pattern is one I haven't seen.
The blocks look to be from 1890-1920 when indigo prints were relatively inexpensive and very popular with quiltmakers. They show typical indigo coloring with a dyed blue background and white figures, style dictated by indigo's chemistry. Indigo will not color if it is exposed to oxygen, so simply applying indigo to a wood block or copper plate does not work because the dye binds with the oxygen in the air.


Here's a date-inscribed quilt from an online auction with indigo blue as the ground and white figures in the print. It's a typical early 20th-century factory printed indigo.

Printers traditionally print white figures on indigo grounds in a reserve or resist process (also called batik) by applying wax or a resist paste in a pattern on the fabric and then dipping it in the indigo dye vat. When the paste is removed a white on blue design appears. Another technique developed about 1800 involves dyeing the fabric blue in the indigo vat and then printing a discharge paste to bleach out the figures. The prints in the Cades Cove blocks and Aunt Celia's quilt are probably done in a sophisticated variation of the discharge technique (although the pattern design is rather unsophisticated).
The indigo resist process has been used by artisans all over the world. Pennsylvania historian Trish Herr has been collecting early indigo resist prints from the Germanic people there. These are hand printed rather than factory printed.





And Japanese printers still dye in traditional fashion.

This quilt is called Japanese Coins, made by Georgann Eglinski from Japanese fabrics, 2009.

Printers figured out ways to reverse the figure/ground appearance in indigos. The earliest technique was the labor-intensive process of applying resist paste to the background and leaving the figures to absorb the dye. These indigo resist prints are sometimes called China blue prints because they look like a piece of porcelain.

Elizabeth Richardson Collection. Western Kentucky University Library

Above: a scrap of old indigo resist with blue figure and white ground from quilt historian Florence Peto's collection. She gave it to collector Elizabeth Richardson several decades ago. Recently, quilts, correspondence, and scrapbooks belonging to Elizabeth Richardson were donated to the Western Kentucky University Library. The note says "Very old blue-on-white resist print. F. Peto. For your collection. Happy Easter!"

Here are some reproduction fabrics imitating China-blue style with blue figures on white grounds.



A sofa upholstered in indigo-resist reproduction from Ikea

To see more reproductions do a websearch for the words: fabric indigo resist.

To see more about the quilt collection at Western Kentucky University click here for their online exhibit

And see how indigo yarn is dyed in a recent dyeing workshop in the Navajo nation by clicking here:

6 comments:

ria vogelzang said...

Hello Barbara, thanks for sharing your knowledge with us! I just love these blue and white fabrics. It's just great to learn how people in the past dyed these fabrics... What an intensive work! And what beautiful quilts they made from it!
Greetings from the Netherlands.

julieQ said...

I love indigo!! Such lovely blocks you received...I have some modern indigo just waiting for the perfect project.

Happy Cottage Quilter said...

I love the indigo. I've always been drawn to the blue and white, in fabrics, china, and even clothing. Thanks for sharing such great information.

Four O'Clock Quilt Company said...

I love that block in the two color combo. I made a similar quilt in pastels years ago. The center of my block was a little different.

Diana said...

There is something about that blue and white which just draws me. I've been working on a blue and white for a while now, and I just don't want it to end. Thank you for the historical information.

WoolenSails said...

I love those Japanese prints, gorgeous fabrics.

Debbie