Illustration by Olga Heese Bogart for the cover of
Needlecraft/Home Arts magazine in July, 1939.
The quilt alternates a mariner's compass with a princess feather block.
The artist was possibly inspired by this quilt in Florence Peto's book the same year. Peto called it Princess Feather and Sunburst. "The bold design and excellent workmanship on the quilt were influential in its awards of three New Jersey state prizes."
Peto's photo features this quilt on the cover of a Newark
Museum publication in 1973.
Attributed to Catherine Ann Fitzgerald of New Jersey.
Gift of Vivian Boylan Gordon of Nutley, New Jersey in 1926 .
Gordon was Catherine Fitzgerald's granddaughter and her
mother was another Catherine Ann Fitzgerald married to a Gordon.
The 1948 museum catalog copy, which tells us the donor's grandmother and her sisters made the quilt. "From 1861-63 Mrs. Fitzgerald lived at 343 Washington Street. Her Husband, Joshua Fitzgerald was in business in Newark from 1838 until his death in 1856."
The museum displayed the quilt about 8 years ago
and Barbara Schaffer took some great photos.
Looks like Turkey red feathers, perhaps appliqued in white sashing or
over block seam lines.
Floral vine border (cut from the same Turkey red print?)
The red seems to have faded a bit over the past 40 years but it's still
a spectacular quilt.
Notice how the feather grows out of the border.
Rose Wilder Lane showed it and gave a pattern in her 1963 Woman's Day Book of American Needlework calling it "Prince's Feather and Rising Star (also known as Princess Feather or Ostrich Plume and Rising Sun)."
The quilt is unusual but not unique.
From Tom Woodard & Blanche Greenstein's inventory, pictured
in the 1980 Quilt Engagement Calendar.
Almost identical but instead of red a blue print.
When one is superimposed over the other the comparison is striking.
Catherine Ann Boylan Fitzgerald (1809-1863) had two sisters: Maria Brownlee Boylan Doremus and Osee Melinda Boylan Fitzgerald, all daughters of Aaron Boylan of Newark. Osee's son James Fitzgerald was a well-documented Methodist bishop. The Fitzgeralds seem to have been in the varnish business.
From the Pat and Arlen Christ Collection
The idea of a four-armed feather between pieced circles:
The same idea but not so showy.
From New Jersey and Barbara Schaffer's New Jersey Pinterest board
With all those patterns and photos in the mid-20th century I am surprised I have so few copies of the Fitzgerald quilt in the picture files.
Jane Hall of Raleigh, North Carolina, 2006
Jane won the state prize in the Land's End Quilt Contest in 2006.
Jane said she thought the quilt in the Woman's Day book was "the most beautiful thing I'd seen!"
"I had to draft the compasses and the large applique Princess Feathers. I found a large floral print with a dark blue background and selected coordinating prints for it. I wanted a variety of prints, predominantly dark and similar to the old prints (although the original was done in reds)...Several friends pieced a block for the quilt as part of a group. "https://www.loc.gov/item/qlt000457/
Mary Chalmers, Wilmar, Minnesota, 2006
from the Minnesota project and the Quilt Index.
Mary's label says she used the Woman's Day pattern. (It's a great pattern but if you are looking for the pattern in the used book market you want the Woman's Day box of patterns. The patterns are not actually in the book.)
And here's Barb Vedder's 2012 quilt, obviously inspired by it:
Barb Vedder's 2012 quilt
Better color here. She won first prize in hand quilting
a few years ago at the New England Quilt Festival.
1866 dress of Catherine Boylan Fitzgerald's,
also given by her granddaughter to the Newark Museum.