Friday, September 30, 2011

Misdated Quilts


Dated quilts are helpful in training the Quilt Detective's eye.
But once in a while the date is wrong. This quilt, found in an online auction, is NOT from 1876.

The color scheme and the individual cottons offer good clues to the actual date when it was made---about 1890-1920.

Two of the easiest clues for a novice detective to learn are that the wine-colored red prints and the black-on- white prints above were a fad from about 1890-1920.  The red, which the dyers called cerise (French for cherry) and the marketers called claret, was quite popular around the turn of the last century. Characteristics are simple white figures on a wine-colored background.

The black and white prints (a true black) like the one above were not possible until about 1890 and were very fashionable in the first decades of the 20th century. This quilt, also recently in an online auction, is most likely 1890-1920. 
The pattern---Jacob's Ladder or Underground Railroad---was also very popular in the 1890-1920 decades.

Some of the fabrics, like a white dot on indigo, are no help in dating---too popular for too long. But the blacks and the wine-reds are excellent clues.

The black-and-white prints often read as gray. They were sometimes called mourning prints 100 years ago.

Someone (I'd guess the same someone) added the dates much later, probably using family history as the basis for her guess rather than any knowledge of when cotton prints were available. Another clue---black embroidery thread not used in the 1870s.

A very weak clue to date is the stitch used in both quilts. It's the way I embroider---what is that stitch??? A directionally-challenged chain stitch???


A better chain stitch that was probably actually embroidered in 1879

That crabbed stitch in black thread seems very "late-20th-century", but don't rely on that stitch as a basis for dating a quilt. Fabrics are your best clues. And the fabrics in the misdated quilts are 20 years later than the dates.

Tuesday, September 27, 2011

AQSG - Over Till Next Year


We went home with...
 A lot of memories:
Unusual quilts---this one from the Quilt Complex.

A lot of notes---most not in notebooks as fancy as this one.

Souvenirs---the table decorations


Auction items - shopping for a good cause


And an extra pound or two.

Next year's seminar will be in Lincoln, Nebraska
October 3-7, 2012

Bookmark this link to the American Quilt Study Group and keep an eye out for more information:

More from the Vendors

Katherine Liston came from California


Above a border of a cretonne printed to look like Berlin work or needlepoint

Xenia came from Kokomo

Her Legacy Quilts booth included many 20th century masterpieces 
Lavish embroidery on a featured crazy quilt



Jane from Labors of Love in New York

Let's hope the dealers went home with empty trunks
 and the seminar attendees filled those extra suitcases they brought.

Cinda Cawley's Estate

Another much-missed AQSG member is Cinda Cawley. Her family set up a booth to sell her quilts, fabric, books, and other treasures. Above a quirky top from about 1880-1900.




I bought this four patch with a blue-on-blue print and many very early prints and weaves. I think it is the earliest top I own (can't wait to spend some time looking at it.)

Her friends also organized a memorial quilt in the Pennsylvania pattern she studied and collected.
Everyone signed a block.

In Memory of Cinda Cawley
"Ihr Deppich"
[Her quilt]

The quilt will benefit AQSG's Endowment Fund.

AQSG Vendors - Cindy Rennels

Cindy's booth was full of good stuff.




A heck of a Baltimore album



And a quilt signed and dated
"Sarah Simm 1814"

An embroidered center is framed by a dogtooth border
 and then a large field of patchwork squares.

Hexagon florettes are scattered around



The provenance: The quilt was purchased in Holland in 1989. Cindy bought it recently. Fabrics seem to date from the late 18th and early 19th centuries. It might be Dutch but Sarah Simm is such an English name.

See more about Cindy's online quilt shop by clicking here:

What To Wear To a Quilt Seminar?

Pattern!


Snapshots from Saturday morning.





Monday, September 26, 2011

AQSG Paper: Patchwork Prints in America 1878-1900

Deborah E. Kraak gave a paper on fabric that pretends to be patchwork.

We tend to call it cheater cloth or faux [fake] patchwork, both 20th century terms. Here's a wonderful piece with printed embroidery around printed patchwork, probably dating to the end of the 19th-century, the era she focused upon.


Deborah holding a piece from the Centennial in 1876

She said, "Given the trend in quilt scholarship to adopt period teminology when referring to quilting techniques or styles 'patchwork print' might replace [cheater cloth and faux patchwork] in our lexicon."

She found many references to the print style in the sales records of the last quarter of the 19th-century. Orders referred to "patchwork prints" and "Comforters-Printed Patch-covered."

She had many samples to show, which were hard to photograph---but you get the idea.

Here's a recent Schumacher print for upholstery.


You don't often get to see yardage of patchwork prints from that era.

See a photograph she found of a Native American man wearing a patchwork print shirt (I have to practice using that term)  from George Eastman House by clicking here and scrolling down.
http://www.geh.org/taschen/htmlsrc15/m197500870009_ful.html

If you missed Deborah's paper you will want to buy the hard copy of the presentations. AQSG's annual Uncoverings: Research Papers of the American Quilt Study Group is available on line
http://www.americanquiltstudygroup.org/uncoveringsList.asp
They haven't added the just published issue #32 for 2011 to the order form yet, but you can email them.