QUILTS & FABRIC: PAST & PRESENT


Thursday, November 16, 2017

Past Perfect: Elly Sienkiewicz

Odense Album, designed by Elly Sienkiewicz
70″ x 70″, 1989-1990.


Few people have had as much influence on quiltmakers and quilt style as Eleanor P. Hamilton Sienkiewicz.  Ever.

Elly at one of the Applique Academy sessions

When Elly published her first book Spoken Without a Word in 1983 much writing about quilts used words such as "lost art" with implications that masterpiece applique was a thing of the past.

 Album Quilt block made in Baltimore for Bernard Nadal, 1847.
National Museum of American History, Smithsonian Institution.

Contemporary quilters were too modern, too busy....too inept ? to maintain the standards of mid-19th-century artists.

Album quilt dated 1975

None of it was true. All that was needed were good patterns, good fabric and good instruction in handwork. Elly provided all three. Plus a lot of enthusiasm.

Elly's patterns are little works of art in themselves.

Elly started her career in quilts with a mail-order
fabric company that (despite its name) specialized
in solid color cottons---an elusive item in the 1980s.

Want to learn hand applique or improve your
techniques? Buy this book.

Detail from Odense Album

Elly's influence has been an ever-widening circle. 
She's taught many who have become skilled applique teachers
themselves. I found this block by a student of a student.

Recent block by Tresa Jones of Seneca, Kansas.

Although she has retired, thirty-five years later Elly's influence continues.

Elly graduated from Wellesley College and the University of Pennsylvania with majors in history, art and education. She taught school, married Stan Sienkiewicz and raised three children in Washington, D.C.


As far as I know she has published 29 books. She has always had a lot to say and is a joy to listen to.

Through Tufts of 'Broidered Flowers, 2005-2009
 by Elly Sienkiewicz & Susan Kurth

Baltimore Album Quilt made for Joshua Young, 1840s,
Mariner's Museum in Newport News, Virginia

Everyone knows her best as a fabulous applique teacher and pattern designer but she is also a quilt historian. Living in Washington gave her an opportunity to study the unique album quilts made in Baltimore in the 1850s and '50s. She has always been curious about pattern sources and how these quilts came to be made in such great numbers.

Her books index the traditional patterns as well
as update the look.

One of her accomplishments is a paper she gave about Baltimore Album Quilts at the American Quilt Study Group's 1989 seminar, demolishing the popular and profitable theory that one woman named Mary Evans stitched the quilts. "The Marketing of Mary Evans” argued against the one-woman/one-style concept in several ways.

From an Elly quilt

My favorite argument was her personal sewing experience in re-making the historical blocks. She said she spent about 50 hours on a typical block. A friend counted her hours in making a 72-inch elaborate appliqued quilt, demonstrating that a professional seamstress needs a year or more of forty-hour weeks to make one classic BAQ of 104 square inches. No one person could have made the dozens and dozens of BAQ's.

Happiness is the Journey, 2007
By Elly Sienkiewicz Applique’ Academy and others; 
machine quilted by Susan Mallett with Sue Nichols

Elly's quilts are usually group
projects with her designs and supervision
(because no one person can make all the quilts she has planned.)

The theory today that similar blocks were sold by several designers as unstitched kits and patterns owes a lot to Elly's willingness to challenge the conventional wisdom in the antique world at the time.

Odense Album was designed by Elly and
stitched by a group of her students and friends.
The pattern is in The Best of Baltimore Beauties Part II

Elly's most recent book is Spoken Without a Word — 30th Anniversary Revised Edition, a 2014
re-do of her first book, the 1983 Spoken Without a Word. The new edition incorporates the text of the original but this version is illustrated in full color. Included are the Lexicon of Symbols, Antebellum Patterns, Baltimore Album History and her Revivalist Baltimore Album Quilt Gallery.
The 1983 edition was black and white and featured
short essays on Victorian symbolism in the BAQs.

See a preview of the recent book here:
https://www.amazon.com/Spoken-Without-Word-Anniversary-Baltimore/dp/0615717802

From the recent book

Read "The Marketing of Mary Evans,” Uncoverings 1989, Volume 10 of the Research Papers of the American Quilt Study Group, Edited by Laurel Horton.
https://americanquiltstudygroup.org/uncoverings-1989-the-marketing-of-mary-evans/ 

Karen Pessia, My Baltimore Journey
from the 30th Anniversary edition of
Spoken Without a Word

Monday, November 13, 2017

Antique Quilt Exhibits: Winter & Spring 2018

Get that automobile in working order and pack it for a road trip.


California, Folsom
Folsom Historical Society.  The Art of Piecemaking, Quilts from Carole Gebel's collection.
Through April 22, 2018.
https://www.folsomhistoricalsociety.org/events

California, Pasadena
Huntington Library. Becoming America: Highlights from the Jonathan and Karin Fielding Collection. The Fieldings' new wing exhibits objects from their folk-arts collection including quilts. Their focus: American ingenuity in art for utilitarian purposes by craftspeople in 18th & 19th century rural New England. Through October, 2019.
http://huntington.org/Webassets/Templates/exhibitionslist.aspx?exhibition=current

California, San Diego
Mingei Museum of Folk Art. Kantha, 40 Indian pieces made from recycled sari decoratively stitched. Through March 25, 2018.
https://mingei.org/exhibitions/

Indiana, Lafayette
Haan Mansion Museum. Hoosier Quilts: A Patchwork of Styles.
Through March 17, 2018
http://haanmuseum.org/ExhibitionsandEvents.aspx#quilts


Illinois, Chicago
Art Institute of Chicago. Making Memories: Quilts as Souvenirs. 27 visually captivating and technically masterful quilts from the permanent collection, ranging from 1840 to 2001. Through April 1, 2018.

Iowa, Winterset 
Iowa Quilt Museum. Feed Sack Quilts. Through April 15, 2018 
http://iowaquiltmuseum.org/


Kentucky, Bowling Green
Western Kentucky University Museum. Kaleidoscope. Thirty quilts from the collection including a new acquisition, the cover quilt for the Kentucky project book. Through December, 2018.

Kentucky, Paducah
Quilt Week in Paducah's 2018 Rotary Show is Southern Splendor curated by Mary Kerr. April 17-21, 2018.
National Quilt Museum. New Quilts from an Old Favorite: Bow Tie. March 16 – June 12, 2018
https://quiltmuseum.org/visit/

Quilt signed 1853 Lucy Shephard Loomis, Baltimore


Nebraska, Lincoln
International Quilt Study Center & Museum/Quilt House.
Made by Hand: American Quilts in the Industrial Age II. Quilts prior to 1870 from the collection.
Through April 29, 2018

Binding Threads: The James Family Collection
Through April 15, 2018

Uncovered: The Ken Burns Collection. Through May 13, 2018.
http://www.quiltstudy.org/exhibitions/


Covered in Blue. A two-day immersion in the Museum's collection of blue & indigo quilts. June 14-16, 2018. 
North Carolina, Winston-Salem
Stitching a Southern Identity. MESDA's annual spring textile conference: March 16-17, 2018
http://mesda.org/


Ohio, Columbus
Columbus Museum of Art. Botanical Wonders: Flower Figure Quilts 1850-1950 From The Donna And Rodney Wasserstrom Collection. Showcasing a recent donation. Through March 11, 2018.
https://www.columbusmuseum.org/art/botanical-wonders/

Pennsylvania, Doylestown
Mercer Museum. Unpacking Collections: The Legacy of Cuesta Benberry, An African American Quilt Scholar. Plus African American Quilts: From Traditional to Contemporary Through April 15, 2018.


South, Carolina, Charleston
Charleston Museum. Piece by Piece: Geometric Quilts, featuring pieced quilts from their estimable collection. Through May 31, 2018.

Texas, LaGrange
Texas Quilt Museum. Antique Indigo Quilts from the Poos Collection. 25 examples of 19th-century treasures. Through April 1, 2018

Utah, Brigham City
Brigham City Museum. Vintage Quilt Exhibition from the community. Through April 13, 2018.
http://brighamcity.utah.gov/museum-schedule-of-exhibits.htm


United Kingdom, Bath England
American Museum. The Quilters Guild tells us their 1718 Coverlet will be shown from April 10-29, 2018.
http://www.quiltersguild.org.uk/news/view/an-opportunity-to-see-the-1718-coverlet-at-foq-and-bath

Virginia, Williamsburg
Colonial Williamsburg, Abby Aldrich Rockefeller Folk Art Museum. A Century of African-American Quilts features twelve quilts from the collection dating from 1875. Through May, 2018.
https://www.colonialwilliamsburg.com/do/art-museums/rockefeller-museum/century-of-quilts/
Printed Fashions: Textiles for Clothing and the Home, 1700-1820 includes a few quilts (one with a John Hewson panel) and a lot of early fabric. Through 2018.

Friday, November 10, 2017

Nine Blocks: Same Nine Blocks

From Freeman's Auctions

How were quilt patterns passed around in the 19th century?
One clue is in this sampler, which is quite a bit
like the sampler below. Both are from online auctions
over the past few years

From eBay seller Gurley

Once I find a pair of twins I often notice more,
and in the case of this nine block sampler---several more

Source?

Very much like the one at the top of the page.
Anita Schorsch pictured this in her book
Plain & Fancy: Country Quilts of the Pennsylvania Germans.

Collector Sara McLane noticed the similarity to
one she owns.


The arrangement varies in each as does the border
but the central block is remarkably consistent.

It's not a common design. We could describe it
as roses with reverse applique around a central
flower and buds, arranged in four-way mirror-image symmetry,
the formal structure often seen in American appliques.

From Sara McLane's

The other blocks are usually based on different symmetries.
This floral sprawls in a more naturalistic manner.


The blocks with two-way symmetry frame the center block
in rather graceful fashion making a well-designed layout for the nine blocks.

Another slashed rose with a slashed cockscomb &
reverse applique---this one from the eBay seller. 
Notice the heavy embroidery around
this block. It seems to be a late-19th-century example
by the fabrics and multi-strip border.

And then there are the baskets.

I mentioned that there are clues in these coincidental quilts
but how can we read them?

The words well-designed seems one clue. I'm guessing that some
talented woman somewhere sold either the patterns or the blocks or
the kits to make into blocks. She might have taught needlework
or had a pattern business....

Like the designers of the high-style blocks in Baltimore albums
in which we see the same blocks in the same fabrics made by
various seamstresses.

A Baltimore album in the collection of the International
Quilt Study Center and Museum dated 1847.
#2005_056_0001

From the quilt at the top of the page.

From a BAQ in Joyce Gross's collection at
the Briscoe Center at the University of Texas.



Tuesday, November 7, 2017

Alabama Quilts

Seven Sisters variation (Egyptian Design) 
Pike County, Alabama

I stumbled across a picture file of Alabama quilts in the
Alabama Decorative Arts Survey in the online files of the Birmingham Public Library.

I fixed up the photos a little to show you some of my favorites.

Louiza Gibson Simmons

Late-19th century to early-20th century quilts,
solid colors, prone to fading to tan or gray.

Allie & Adar Roling. Family attributes it to 1890.

Is this the oldest Double Wedding Ring Quilt?
Or just one of the best?
"Directed by the Birmingham Museum of Art and begun in 1985, the Alabama Decorative Arts Survey was a nine-year search throughout the state, in both private and public collections for ceramics, quilts, coverlets, furniture, paintings, photographs, metals, textiles, and grave markers that were made in nineteenth and early twentieth centuries Alabama. The project identified thousands of objects, created survey sheets on objects and photographed objects. The survey sheets record the type of object, describe the object and its condition, list the maker and year of creation if known, and list the location of the object.
Nannie Leath Blackburn
"Highlighting objects from the Survey, the Birmingham Museum of Art created the exhibition “Made in Alabama: A State Legacy,” which opened at BMA in 1994 and then traveled to the Huntsville Museum of Art, the Mobile Museum of Art, and the Montgomery Museum of Fine Arts. An accompanying catalog, also entitled Made in Alabama was published."
Rebecca Heard Griffin

Mitchell Family
Seems like a perfect definition of a type of late-19th-century Southern quilt.
Complex pieced design, solid color with fabrics that fade, blocks set in a square grid,
wide sashing, fan quilting.
But lest you think those Mitchells were conventional, here's another family quilt.


Unknown pattern it says.

Whig's Defeat variation I say.
One of the greatest versions EVER.

Here's the link. You can click on each file to read the worksheet and see the quilt.
http://www.bplonline.org/virtual/ContentDMSubjectBrowse.aspx?subject=Quilts