QUILTS & FABRIC: PAST & PRESENT


Friday, March 11, 2016

A New England Quilt from along the Old Cambridge Pike

From the exhibit 
Behind Closed Doors: Asleep in 
New England at the Concord Museum in 2014

The star at this show in Massachusetts a few years ago was an album quilt in warm browns
and brilliant blues.


Album quilt signed by 96 friends of Rebecca Brooks (1824-1906)

 of Concord, as a gift for her marriage to Joseph Allen Smith
 on March 15, 1849.Collection of the Concord Museum. 

The picture above is from the Quilt Index, documented by the
Massachusetts project.

A link to the museum's excellent catalog page

Several bloggers took photos
and there are details at the museum's website too.



The dedication block in the center

A record of the marriage


90 x 100"
Here's a plan for a similar quilt with 10" finished
blocks. With the cut-out corners you'd need 82 blocks.

It would look awfully good in my Old Cambridge Pike
fabrics. See the free pattern below.

 I drew it in EQ, which is celeberating its 25th birthday this week!
EQ7

Cutting for each 10" finished block.

A -  Cut 4 strips 3-1/2" x 6-1/2". Trim these after piecing.
B - Cut 1 square 7" and cut into 4 triangles with 2 diagonal cuts.
C - Cut 1 square 3-1/2".
But what to call it?

I've always been disappointed in the published names
for this block.

Godey's Lady's Book published it in 1860 but
they didn't give it a name.


I recently found this exchange in the Rural New Yorker magazine in 1879:

In August "Constant Reader" asked editor Faith Ripley:
"Please ask some one to give a design for piecing a remembrance quilt, one that will require only one block of each kind of print, and not so large that where you have but little of some friend's dress you will be obliged to leave it out."



October 4, 1879 
In the Correspondents' Corner:
Dear Miss Ripley:
"I will reply by sending a simple design of a remembrance quilt, which does not require a large amount of material, and is very pretty when made of different kinds of calico; using bleached muslin for the light part.... SBB? Sandy Creek NY
The name Remembrance quilt seem a general category of what we might call album or friendship quilt.

Hearth and Home magazine published the design about 1910 and called it Kentucky Cross-Roads, but it's not really a Kentucky pattern.

 The Ladies Art Company called it Snowflake in
the late 19th century. It's BlockBase  #2880 and 2881---a chubby x and a skinny one.


Farm Journal and Nancy Cabot  called it Old Italian Design or Old Italian Block.

Here's the Nancy Cabot column from the Chicago Tribune in 1936.
"Old Italian Block clearly demonstrates the love of some woman for the
richness of Italian fabrics."

Pshaw----maybe from an Italian mosaic floor.

Tolford Quilt dated 1844-45. Concord, New Hampshire.
Quilt Index.

I was thinking Old New England block might have been a better name.
But after looking at some early date-inscribed examples maybe it should be Old New Jersey Block.

Quilt dated 1844, Hunterdon County, New Jersey
1997-007-0317
from the collection of the International Quilt Study Center and Museum

Quilt dated 1843, Holcombe family, Hunterdon County,
Lambertville Historical Society, New Jersey


Quilt dated 1841, Philadelphia, from the Quilt Index and the New Jersey Quilt Project.

Or Old Central Midlands block,
as the cultural geographers sometimes refer to the places west of New York City.


Do a search for "Italian" as a quilt pattern
in the Quilt Index and you'll find quite a few examples---
none from Kentucky or Italy, however.

Tuesday, March 8, 2016

Fat Quarter Question

Old Cambridge Pike
21st-Century Marketing---Fat Quarter Packs

Paula Nadelstern asks:
By any chance, do you remember when the fat quarter was invented? 

Asking for my memories is always a trip to a vague yet wonderful place.


I do recall that Karla and I did a lovely pattern booklet in 2002 called Fat Quarter Fancywork featuring applique projects designed especially to use the 18 x 20 inch cut that is so popular.

Buttonwood Basket by Karla Menaugh, 2002.

The term was definitely established by then. We had a good time thinking up alternate names. Fat Quarter is not our favorite way to describe a piece of fabric.
The John Tenniel illustrations for Alice in Wonderland
probably traumatized us when we were children.

We made many suggestions for words we liked better than fat. How about:
Statuesque, stocky or well-fed quarters.

Plump

And that's where my memory takes me.

Portly

But back to Paula's question, which is essentially when did shops start marketing a wider cut than a 9" x 44" inch strip under the name Fat Quarter?

Here's my research method:
Go to Google. Put in a specific time period. Ask for references to
fat quarter quilt
"fat quarter" quilt
"fat quarter"

Try it in Google Books too. Here's what I found in Google Books

Earliest reference - Letter from President Andrew Johnson:
May 22d 1869. My dear daughter 
Along with your Beef I send you a nice fat quarter of Mutton which I accidently fell upon this morning. If you are not fond of it or do not need it, you can hand it over to your neighbour Mrs Dyck.
Roly-poly King Andy---too much mutton perhaps.

There were a few other references to fat quarters of meat.

The earliest reference to what we are talking about in terms of fabric was Margaret Boyles' Country Needlework in 1986 in which she explains the term well.


...a 'Quilter's Sample,' 'Fat Quarter' or various other names of their own devising. These are four 18" x 22-1/2" pieces (1/4 yard) cut from a full yard of 45" wide material. This is a very handy size for small projects...."


There may be earlier references because Boyles seems to be referring to terms she's heard. She did not originate the idea or the name.

But we can say that the term seems to have begun in the mid-1980s in reference to a fabric cut rather than a meat cut. Is your memory earlier than that?


I still like Chubby Quarter better than Fat Quarter.

And while we are on the topic...
Are you keeping up with Pat Sloan and Jane Davidson's Splendid Sampler quilt along?


The Fat Quarter Shop has packaged Moda fat quarters in traditional colors for one colorway.

I recognize a few from my Old Cambridge Pike collection.

Embossed heart from Fat Quarter Fancywork

You can still find our book Fat Quarter Fancywork at my Etsy store here:
https://www.etsy.com/listing/219716057/fat-quarter-fancywork-applique-cut-to?ref=shop_home_active_15

Saturday, March 5, 2016

A Bride's Quilt for Jane Burden

A Bride's Quilt for Jane Burden by Jude Liebmann
and members of the Kilmore Quilters
in Australia

Quilted by Rhonda Coates

I was intrigued by the name as I have been reading a lot about
Jane Burden and her husband William Morris lately.


On the label Jude says:
"When a member of Kilmore Quilters likes a quilt or pattern, they ask if there are other members who would like to take the quilt journey with them and this quilt was such a project. the idea was make the applique in the centre your own. 
"This is an adaptation of the Eyre Bride's Quilt. The pattern was adapted by Kilmore Quilters for a member project. The centre and block placement are my own design."


Jane Burden Morris as La Pia de' Tolomei, 1868, by Dante Gabriel Rossetti.
Collection of the Helen F. Spencer Museum of Art at the University of Kansas.

I do believe this is the only Rossetti painting in Kansas. It's in the collection of the Spencer Museum of Art at the University of Kansas. It's my favorite thing at the art museum (and that's saying a lot because they have hundreds of quilts.)
Read about it here:

Jane's story is fascinating. Her daughter's lover George Bernard Shaw captured a little of it in his play Pygmalion.

I also notice this eye-catching quilt is pieced of many of the prints I've done for
Moda in my various William Morris collections.



So here's to Jane.
And to Jude.


If you go to the Moda website you will see my latest William-Morris-inspired fabric collection is scheduled for April, 2016 delivery.


Read Jan Marsh's Jane and May Morris: A Biographical Story, 1839-1938 to find out more about Jane, her wedding and her marriage. 

Wednesday, March 2, 2016

Rocky Mountain Quilts at the Fair

A Rocky Mountain quilt?

Quilt by Nan Holland from the Quilts of Tennessee project
and the Quilt Index

Orangeburg SC News November 9, 1872

Several quilts were shown at the South Carolina state fair in 1872. Remarkably, they were described
or named in a word or two. Mrs. C J Snell entered a "rocky mountain quilt."

What might it have looked like?

Quilt top date inscribed 1878

This complicated combination of sashing and block is
usually thought of as the Rocky Mountain design.

"3468 PIECES
Made March 1878"

"Miss I [Irene].J. Chambers"

So far, this is the oldest date-inscribed quilt in the pattern that I have in my files.

The Nashville Globe on December 30, 1910, reported on a later fair:

"ROCKY MOUNTAIN QUILT.
Mrs. Lucinda Payton, of 938 Blank street, whose quilt was on exhibition at the Appalachian Exposition, received on the 23rd a check for $5.00 as a premium."


Quilt by Nancy Brackett Lawson
 from the Quilts of Tennessee project
and the Quilt Index

The Union (South Carolina) County Fair reported in the Union Times on October 12, 1912:
"Mrs. J.C. Vinson had on exhibit a quilt that had 2,877 pieces in it. The name of this quilt was Rocky Mountain."

This one was documented in the Kentucky project
but it was made in Sevier County, Tennessee

We usually see the pattern in Southern states but here is a description from Vermont. On March 11, 1914 the St. Johnsbury Caledonian, reported on the Woman's Club needlework exhibit :
"A very handsome quilt in the Rocky Mountain design loaned by Mrs. Henry Estabrooks was made of red and white triangular shaped pieces."

Quilt made by Mary Chambers Smith in Texas
from the Texas Project

Want to see more Rocky Mountain Quilts? Go to the Quilt Index Browse Pattern page. Click here:

http://www.quiltindex.org/browsepattern.php

Then Click on the pattern name Rocky Mountain. You'll find most of them come from the Quilts of Tennessee Project. Click on an alternate name New York Beauty and you'll see more

From the Minnesota Project.

The pattern has many vernacular names in the South, commonly "Rocky Mountain Road" or "Crown of Thorns". A similar pattern was published and sold by Mountain Mist in 1931 as "New York Beauty", which is today's standard name nationwide. An 1854 diary refers to a "New York Beauty" quilt but whether it is the same design is unknown.


See a post I did several years ago about the name New York Beauty for this pattern: