QUILTS & FABRIC: PAST & PRESENT


Thursday, December 14, 2023

Early Mills: Cabots & Lowells

  

Self-portrait by Lydia Cabot Perry (1848-1933) 
"The Green Hat"
American aristocracy or nouveau rich? The artist was a "Boston Brahmin,"
her parents being Samuel Cabot III and Hannah Lowell Jackson.

Europeans have long been appalled that American aristocracy is based on financial worth rather than generations-old family pedigree. The U.S. has been full of arrivistes since it was founded and within its communities we see levels of snobbism. Boston has looked down on New York for generations due to the ascent of the nouveau riche there. One would think the presumptuous Cabots and Lowells went back to the years of the Norman conquest.

"... good old Boston,
The home of the bean and the cod,
Where the Lowells speak only to Cabots,
And the Cabots speak only to God."   John Collins Bossidy

Like much else in American history there is a textile link. 


Francis Cabot Lowell (1775-1817) about 1800

Francis Cabot Lowell was born in Newburyport, Massachusetts. After graduating from Harvard he engaged in trade --- importing European goods in a growing fleet of ships. Great Britain's stranglehold on American cotton textile manufacturing inspired him to visit England with wife Hannah Jackson in 1810. No British textile machinery or plans to make it were permitted to be exported to the States, incentive for Lowell to observe closely in the mills he visited in his two years in England.*

English power loom weaving cotton

The Lowells returned to Massachusetts in 1812. Francis and Hannah's brother Patrick Tracy Jackson purchased land in Waltham to build the Boston Manufacturing Company. They apparently invested $400,000 of their friends' and relatives' money in the mill. With the help of engineer Paul Moody they rebuilt water-powered machines seen in England and improved upon them, making the mechanics easier to operate, requiring less skill from the employees---to the point where young women could run the looms and other machines.

Paul Moody (1779-1831)

The partners made money, which the Lowells invested well. The Jacksons and the Moodys made less profitable investments or perhaps never cared about establishing dynasties. 

Water flowing over the Charles River dam powered the belts that ran each loom.

Boston Manufacturing Company, Waltham

The factory is best remembered as the first American mill to combine all the steps of cotton cloth production from carding raw cotton to packaging cloth in one place. But what was the finished product?

1822 ad for Waltham Cottons from the Philadelphia Inquirer,
ten years after the mill's founding

I can find no sample books or swatches of fabric woven in the Waltham mill.

Were various woven checks and plaids like these samples from 1834 produced there?
It seems unlikely.

It may be that their only product was plain yardage in different 
weights like these---bleached and brown.

Display of coarse cotton cloth woven at the Boott Mills in Lowell.
In the middle bleached and brown sheetings?
This plain domestic cloth made a huge profit for the investors.

Francis Cabot Lowell died at the age of 42 in 1817. Five years later the partners decided the Charles River was not large enough for their plans so they moved north to a waterfall on the Merrimack River and established a new industrial town they named Lowell to remember Francis with a new mill The Merrimack Manufacturing Company.

In 1826 the Philadelphia paper advertised a number of cotton types
from several mills but mostly bleached and brown. 
Towards the bottom a different description:
Merrimack and Taunton Prints.

Merrimack mills in Lowell, thirty years later---1850


Well, we can guess what the Cabots and Lowells and God were talking about---plain cotton, two shades: bleached and brown.

Photo formerly in the collection of the American Textile History Museum
Plain cotton

* Englishman Samuel Slater is also credited with memorizing the workings of British textile machines before emigrating to Rhode Island and establishing the Samuel Slater & Company mill in
Pawtucket in 1798.

Another post about early New England fabric production:

Saturday, December 9, 2023

A Southern Design

 

Quilt by Minnie Parnham of Magnolia, Arkansas
Mid-20th-century

Minnie Manness Parnham (1896-1975)
from Family Search
What did Minnie call her quilt pattern?


She might have found the pattern in the Weekly Kansas City Star, which had an agricultural edition,
distributed in Arkansas and Oklahoma, home of Ida Best who sent the design to the pattern editor, published in September, 1950.

Most of the photos here are from online auctions and if there is a geographic source
 it's the South, the location of this one found in Alabama.


From the Arizona Project & the Quilt Index

From the Wyoming project---no geographic source.
A lot of color correction.

Volckening Collection
Some saw orderly squiggles marching diagonally; others....

It seems to have been a pattern passed around quilter to quilter in Southern circles rather than an established, published pattern. And I'd bet most people called it as snake.

Ollie Jean Lane of the Mississippi Quilt Association
was inspired by the design.

Ollie Jean Lane

If you like a lot more order---you can confine the curves in a four patch
like this one from 1900-1925 or so.


Another four-patch variation.


Here's a pattern for a 7-1/2" block from BlockBase+ (has
to fit on an 8-1/2" x 11 paper but you can resize it.) 

The pattern has a more popular relative with additional string piecing:



Kansas City Star, 1942

And see Denyse Schmidt's pattern for a fan:

Two other relatives:

Tuesday, December 5, 2023

Winter 2023-2024 in the International Quilt Museum

 

Went to Lincoln, Nebraska last week to see the quilts shows at
the International Quilt Museum.


Sue Reich has donated her collection of World War I & II quilts to the museum and they are showing the earlier quilts until April 13th, 2024.

Always amazed to see a lettered quilt, the perseverance, the patience.
I've tried it. It's slow going. This one a hymn.

Those are G's, not C's.

Many left-over woolen badges

Anglo-American friendship quilt



Janneken Smucker has been working on an exhibit of quilts from the Great Depression and the New Deal for several years. She's pulled together some from the museum collection and borrowed a few for A New Deal for Quilts, which will be up until April 20th.

Old friend Cuesta Benberry once owned this quilt of her mother-in-law's.
Minnie Benberry and friends made several in a pattern distributed
by a home economics employee of the Works Progress Administration in
1930s Kentucky. The quilters called it the W.P.A. Tulip.


Several quilts told of economic hard times and the politics of the 30s.



And the depression encouraged contests with cash prizes. The largest was held in conjunction with the 1933 World's Fair in Chicago. The museum owns Lillian Smith Fordyce's entry, Calendar. 

See the whole quilt here: https://www.internationalquiltmuseum.org/quilt/19970070915


The seasonal pictorials include apple-picking time
with many, many embroidered apples.

Order Janneken's catalog A New Deal for Quilts from the University of Nebraska Press:

Katie Pasquini Masopust has a show of her recent work up too.
Multifaceted is up till May 4, 2024.

Her textiles are quite painterly.

It's always fun to see the details the innovative Exhibits Department comes
up with. The labels in Katie's show are hexagons, the pillars are hexagons and so are the benches.