QUILTS & FABRIC: PAST & PRESENT


Monday, November 16, 2015

Tessellations 5: An Unusual Quadrilateral

Vintage Quilt, About 1890-1920


Perhaps this odd shape is the perfect charm quilt/paper pieced pattern
if you're looking for some challenging piecing and an unusual design.

About 1830-1950
It's a quadrilateral---a four sided shape---so it tessellates,
covers a surface with one pattern piece.


About 1880-1900
I was surprised how many examples I have seen
from about 1870 to 1983

This may look like a a triangle but it is a four-sided shape.

I've found several examples where they are pieced into rows.

"1983 Mother Adcock"

In EQ7 you can do a sketch of a One-Patch Quilt->Patch Style-> Kite

And change the proportions.

by sliding the Width and Height sliders.

Here is an unfinished project from about 1940.
Perhaps she intended to set these into hexagons
rather than kites.

About 1950-1980

Many of these four-sided shapes are drafted as part of a hexagon.
So they can be reassembled as a hexagon.


BlockBase #243


Or part of a triangle

No BlockBase number for this arrangement.





See this webpage from The Fat Quarter Shop
for a contemporary take on the arrangement....several contemporary takes.

Fractal by Michele-Renee at Quiltmatters

This silk show quilt from the 1880-1900 period
is not a tessellation since it requires two shapes.

Sort of like BlockBase  #233
Star Fish from the the Ver Mehren pattern firm
in Des Moines in the 1930s


One of them the cone shape or kite shape in question.
The other shape (two odd triangles) can be seen as an arrowhead.


An arrowhead will tessellate.


Jasper Johns Screen Print, Cicada

Elizabeth W. has been looking at Jasper John's print for a while and decided
to try interpreting it as a four-sided patch like the arrowhead.

She sent me the first steps.
"Indeed, any quadrilateral will tessellate."

Can't wait to see the results.


Friday, November 13, 2015

My Fabrics in a Sweet Sampler

Richmond Spool,  30" x 36"
Pattern and kit designed 
by Mickey Zimmer for Sweetwater Cotton Shoppe

While lurking through some Etsy shops I found this wall hanging made from my Richmond Reds
repro fabric line from Moda. The sweet girls from the Sweetwater Cotton Shoppe in Minnesota are selling both the pattern and a kit.

The sampler in primitive style looks also to be a sampler of techniques.

Blocks: stars, houses, flying geese, and snowball blocks. Plus wool applique and embroidery. And isn't that a yo-yo in the spool? If you're a beginner and looking for a variety of challenges this might be the perfect project.

Wool embroidery and a cotton yo-yo

The kit includes: fabric for front and binding, wool, Edmar embroidery thread, and Richmond Spool pattern.


The shop's Facebook page

Tuesday, November 10, 2015

Quilt Wrecks

Sometimes one little error can create pattern havoc.


But in other cases there's a lot more going on than just one mistake.



You get the feeling that quilters' ambitions
go way beyond their perceptual skills.

Or maybe a design wall would have helped.

Other examples... An unsupervised child?

And this one???
Notice on the left side center:
a maple leaf.

Done correctly once.
Just once.

As I mentioned in a post a few weeks ago, 
some patterns just invite
chaos. The Snail's Trail is one.
See that recent post here:
http://barbarabrackman.blogspot.com/2015/10/ouch-one-tiny-mistake.html
This Snail's Trail is from the Michigan project,
picture from the Quilt Index. The other quilt wreck pictures
are from online auctions.

Saturday, November 7, 2015

Alice's Scrapbag: Free Pattern for Alice's Four-Patch Quilt

Alice's four patch
When Alice Browne was nine in the 1860s she began a four-patch quilt.


from which we drew many of the prints in my latest Moda reproduction
collection Alice's Scrapbag.

I sketched Alice's Four Patch out in Electric Quilt 7 and give you a free quilt pattern below.

Fabric Required for the Blocks.

  • A package of fat quarters.
  • Or your scrapbag of 1850-1870 repro prints.
  • 3/4 yard extra of a light print or a plain white for the lightest squares.

Alice's Four Patch
About 72" square 
12" Blocks
4" Sashing
2" Border

The Blocks

Each of Alice's blocks finished to about 12" square.
Notice she used a plain white as her lightest shade but you could use the lightest print in the collection. She rotated the blocks randomly when she set the quilt.

The block is a double four-patch.
There are 25 complete four-patches in Alice's quilt

Cutting Instructions

For each four patch finishing to 12":
A - Cut 2 squares 6-1/2"
B- Cut 4 squares 3-1/2" of dark and 4 squares 3-1/2" of light.

Setting the Blocks

Alice seems to have set the blocks she pieced in the 1860s into a quilt about 20 years later. She placed them on the diagonal and continued the four patch design out to the edge---the pattern for her set is below. 

You might want to frame the center with dark unpieced squares. First I am going to give you the pattern for the easier quilt. At the bottom is the pattern for Alice's edges.

Alice's Four Patch
 Alternate Edge

EQ7 says you need 3/4 yard for the dark edges.

You need 12 side triangles. Cut 3 squares of the large brown print (Mama's Apron) 18-1/4".
Cut each twice diagonally to make 4 triangles.


You need 4 corner triangles. Cut 2 squares 9-3/8" and cut each in half diagonally to make 2 triangles.

Sashing and Border

We didn't do a reproduction print of Alice's actual sashing because she set the quilt together later. But one of the pinks or reds would capture the look of Alice's original.

#8316-15
Baby's Pantalettes

Fabric - 3-1/2 yards for sashing and border.

Sashing: There are two ways to sash this. I'd sash it with strips and cornerstones, working in small sections.
Working this way you
can make frame the blocks as you go.

 but Alice sashed it with long diagonal strips. (Dealing with strips 116" long is never fun.)


For the cornerstone version:
Cut 57 sashing strips 4-1/2" x 12-1/2".
Cut 24 cornerstones 4-1/2" x 4-1/2".  
For the edge triangles cut 4 squares 5-1/4". Cut each twice diagonally to make 4 triangles. You need 16 triangles.

For Alice's version with long strips


Cut 32 sashing strips 4-1/2" x 12-1/2".
Cut pairs of strips 4-1/2" by the sizes shown below. After you sew the top together trim the edges of each strip at a 45 degree angle.

Border:
 (I'd cut these a little longer and trim them after measuring the final top.)
For the sides: Cut 2 strips 2-12/" x 68-3/4".
For the top and bottom: Cut 2 strips 2-12/" x 72 1/2".

Pattern for Alice's Edges

For the 12 Side Triangles
Alice probably cut her double four-patches in half to make those side triangles, but we are going to plan ahead by piecing a triangle of  B and C.



You need 12 single four-patches. Using the measurements for B above (cut 3-1/2" x 3-1/2") make 12 of these four patches finishing to 6" square.


For the C triangles: Cut 6  squares 7-1/4" and cut each twice diagonally to make 4 triangles. You need 24 triangles.
(I think this is the best way to get those triangles so you don't have
a bias cut along the edge.)

For the 4 Corner Triangles



You need 4 light squares B (cut 3-1/2" x 3-1/2").
You need 4 C triangles (see the corners where 2 are light and 2 are dark). Again it's probably best to cut squares 7-1/4" and cut each twice diagonally to make 4 triangles to avoid bias in the corner edges.


You also need 8 D triangles. 
Cut 2 squares 4-1/4" and cut each twice diagonally to make 4 triangles to avoid bias in the corner edges. 


Piece those together for the corners.

Alice Blue Four-Patch
Another version emphasizing the blues in the line

with the blue colorway of Mama's Apron for side
triangles and border.

I Photoshopped Alice's quilt onto this stereocard
photo of a girl sewing patchwork about 1890. The card
was produced by Underwood & Underwood.
Like Alice's quilt the photo probably came from Kansas.