QUILTS & FABRIC: PAST & PRESENT


Sunday, September 9, 2012

Moda Candy in the Knickerbocker Kitchen


 
Moda is featuring a smaller precut called Moda Candy and asked the designers to come up with a pattern that makes use of these 2-1/2" squares.


 
I do reproduction fabrics so I thought about vintage quilts. I wanted to make use of the dark and light shading in the squares and feature the pink paisley on the top of the candy packs here.
 
I have an idea file and here are some of the
inspirations, all quilts made about 1910:
Nine Patches alternating with plain blocks.

Sashing with half square triangle blocks.

An ocean wave variation.
I thought the idea of a consistent square with a patterned sashing would be good.
 

 
I simplified the look and came up with a 50" square quilt.
See the PDF with the pattern for the above quilt by clicking here:

I figured out a 2-block design in
Electric Quilt.

If you alternate these two blocks, one with a dark square at top left and one with a light square
you get this look. When we drew these up before market last spring we had little time and I don't recall that I had any actual fabric.
 
 
 
 
 
 I use EQ to make these mockups. I create an EQ file devoted to each fabric collection I do. Once Moda sends me images of all the fabric in the collection I import them into my EQ fabric palette for that line. You can see it over on the right.
 
If you have never imported fabrics into your Fabric Libary in EQ you might try it. First create some jpg files with pictures of the fabric you want. I put all the files for a certain project in a file called say Metropolitan Fair. I create jpg files that are about 5 inches square at 72 dpi---small files.
 
Then go to your Fabric Library and import pictures by browsing through your computer. Highlight all the pictures in the file and click on Import.
 
I can try things out by shading the blocks I've drawn or imported from BlockBase.
 
 
After I sent in the design with its mockup I made up a fabric model. I used three packs of Moda Candy and came up with a rectangular quilt of six blocks. I had enough pieces of 2-1/2" candy left over to make an inner check border.
 
3 Packs of Moda Candy
a half a yard of pink for the centers
Cut 6 pink centers 6-1/2" square.
  • Alternate the 2-1/2" squares around them to make blocks that finish to 10"
  • Add an inner border of more checks. The quilt above will finish to 24" wide by 34" long.
 
In the original design I mocked up the rainbow stripe border
 
 
 but when I made it up in fabric I used the larger stripe.
 

These stripes run across the yardage, perpendicular to the side selvages and I could get just enough out of that width of fabric to miter the border.
 
  
 
The finished quilt is 30" x 40".
 
3/4 of a yard of horizontal stripe for the border
  • 2 border strips 6-1/2" x 40-1/2"
  • 2 border strips 6-1/2" x 30-1/2"
 
Now I have to quilt it.
 
Two men and an "old-fashioned" quilt
 

I called it Knickerbocker Kitchen after a feature at the 1864 Metropolitan Fair. All the Fairs had "old-fashioned kitchens" in which people in "old-fashioned" dress demonstrated cooking over an open fire and spinning yarn. Nostalgia was popular even back then. In Boston they called it the New England Kitchen, in New York the Knickerbocker Kitchen.  The men above at the Brooklyn Fair in 1864 seem to have gotten carried away.

The open fire on the right at the Knickerbocker
Kitchen at the Metropolitan Fair

Author Washington Irving created the imaginary Diedrich Knickerbocker who came to represent the colonial New Yorker of Dutch descent.

See more about the Knickerbocker Kitchens here.
http://barbarabrackman.blogspot.com/2012/05/virtual-booth-at-quilt-market.html

Thursday, September 6, 2012

Sunbonnet Sues: Anatomy Lessons




The trouble with including human figures in patchwork is so much can go wrong.

We have very high standards for anatomy.


So a badly drawn plant might be viewed as "folky" and amusing

A  badly drawn human is rather alarming.


 
 

There are unwritten rules for Sunbonnet Sue.
One arm better than two.
The example above makes pretty good use of the second arm, which is rare. Of course the feet have been forgotten in the enthusiasm for arms.

Another Rule: One foot better than two

Too many feet clutter up the composition.

Feet and arms and hands can be problematic.


The figures above seem to be part tank/part Sue.
And I guess their hands are in their pockets.

Green may be a bad choice if she is going to have lizard like appendages.


Her hat is on upside down in every block in this one, which makes you wonder what is falling from the sky, Chickenlittle?
The upside down hat problem is more common than I thought.
 

See more Sues gone wrong at this post:
http://barbarabrackman.blogspot.com/2010/12/sunbonnet-sue-wrecks.html

Monday, September 3, 2012

Looking for Garden Quilts: Mid-Century Masterpieces

(1) Garden Quilt
Josephine Craig
Collection of the Kansas Museum of History
 
Quilters around the country were impressed with The Garden quilt that Ruth Finley pictured in her 1929 book.
Josephine Craig of Emporia, Kansas, made this interpretation in 1933. Friends Elizabeth Goering and Maude Leatherberry collaborated with Craig on the pattern and the quilting. Craig won prizes with it in several contests including the national Eastern States Exposition at Springfield, Massachusetts in 1936. If Goering and Leatherberry made their own versions we haven't found them yet.
See more about Craig's quilt here:
Craig's  Emporia version uses different roses from the original Garden, more the flattened shorthand rose typical of 19th century applique. This color is probably a little more accurate than the picture at the top.
 
The original roses were more like a side view of tea roses as in Ilyse Moore's interpretation in her Paradise in Kansas. See the pattern for Ilyse's in our book The Garden Quilt: Interpreting a Masterpiece. https://www.pickledishstore.com/productDetail.php?PID=1306

(2) Charlotte Whitehill also used a side view of roses.
We don't know the where-abouts of this quilt today.
 
Joyce Gross, Cuesta Benberry and I made a list of 11 Garden quilts from the mid-20th-century. They often won prizes at contests. Here are eight of them.

 
(3) Florence Lourette on the right here is shown with her Garden quilt that won third prize in a national contest at the 1939-40  New York World's Fair. She was from Rochester, New York. The only photo I can find of Lourette's quilt is this one from the New York Public Library's collection.
 
Half a quilt in black and white.
 
Joyce Gross in her Quilter's Journal magazine published correspondence between Lourette and Bertha Stenge who won first prize. Unfortunately Lourette was on vacation in a remote cabin when the prizewinners were announced and she didn't find out she won until she was reading an old newspaper used as a table cloth and saw a list of winners---too late to be feted at the fair.

 
See more pictures in the New York Public Library's collection of that needlework contest here:

 
Garden Quilt
By Bertha Garret and Verna M. Garret Sutherland
1948
Collection: Rochester Museum & Science Center

 
(4) A mother/daughter team of Rochester quilters must have noticed Lourette's prizewinner. They finished their version in 1948. They might have gotten their pattern from Lourette as the two are quite similar. See more here:

 
Red Birds
Katura Elizabeth Tolley
San Francisco
1938
(5) Katura Tolley changed the blue birds to cardinals and called her interpretation Red Birds.

On our list we had two categories of mystery quilts
  • Quilt we knew existed but couldn't find pictures of. 
  • Quilts with pictures but without any maker's names.



 
(6) We found this one pictured in Ladies Circle Patchwork Quilts, the center elongated to an oval. This maker is unknown.

 
(7) And here's a snapshot from a show---whose?
It is from the Zegart collection.

 
The Garden
by Pine Lorraine Eisfeller
Schenectedy, New York
1938

 (8) Joyce bought one, this version by Pine Eisfeller. It's now with the rest of Joyce's collection at the
Dolph Briscoe Center at the University of Texas

 

 
Pine (pronounced Piney) won a first prize with her Garden Quilt in the 1942 National Needlework Contest sponsored by Woman's Day Magazine. She beat Rose Kretsinger who was inspired to try her hand at the Garden quilt.
 
 
You'll have to wait for another post on Garden Quilts for Rose's version. In the next post on this topic in a few weeks I'll show some modern interpretations of the Garden quilt. If you've been inspired to make a Garden quilt let me know in the comments.
 

Saturday, September 1, 2012

Antique Quilt Exhibits: Fall 2012

Get the family together and plan a trip to a museum exhibit of antique quilts. Here's a list by state for  fall 2012 through the end of the year. (The dogmobile photo from 1912 is from the Library of Congress.)


California, Sacramento.
Piecing the Past Together. Through December 20.
California State University Libraries.
http://library.csus.edu/

 
 

California, San Jose
Collecting Treasures: Celebrating 35 Years. San Jose Museum of Quilts and Textiles.
November 13 – February 3, 2013
Includes early and historic quilts in the collection, along with recent acquisitions of contemporary fiber art, costume, and ethnic textiles.

http://www.sjquiltmuseum.org/exhibitions

From the American Folk Art Museum

Iowa, Davenport
Quilts: Masterworks from the American Folk Art Museum. Figge Art Museum.
November 3, 2012-February 3, 2013. The Museum has loaned 27 quilts across a range of dates and styles.
http://figgeart.org/Figge-Art-Museum-(1)/September-2012/Quilts--Masterworks-from-the-American-Folk-Art-Mus.aspx 


Kentucky, Paducah
National Quilt Museum.
My Accidental Quilt Collection: From the Alan Luger Collection.
Through January 14, 2013

http://www.quiltmuseum.org/current-exhibits.html

 Massachusetts, Deerfield
Celebrating the Fiber Arts: The Helen Geier Flynt Textile Gallery, Historic Deerfield.
Through December 30, 2012
A new permanent textile gallery with this year's exhibit: 10 early quilts and coverlets.
http://www.historic-deerfield.org/events/celebrating-fiber-arts-2012-regular-season

Massachusetts, Lowell
American Textile History Museum, Homefront & Battlefield: Quilts & Context in the Civil War.
Through November 25, 2012
Curated by Madelyn Shaw and Lynne Bassett. Catalog will be available.
See the ATHM website here:http://www.athm.org/exhibitions/current_exhibitions
 


New England Quilt Museum: Great Quilts, Great Stories, Treasures from the Permanent Collection. Through December 29, 2012. Co-Curators: Pamela Weeks & Kate Hanson Plass.
http://nequiltmuseum.org/home.html
 



Nebraska, Lincoln
International Quilt Study Center and Quilt Museum:
What's In a Name? Inscribed Quilts.Through December 3
World War II Quilts from the Sue Reich Collection. Through February 10, 2013.
Indigo Gives America the Blues. Through June 2, 2013
Perfecting the Past: Colonial Revival Quilts. December 7 - September 1, 2013
http://www.quiltstudy.org/exhibitions/  






 
New Jersey, Woodbury
Stitches Through Time: A Legacy of Quilts. Gloucester County Historical Society.

More than 30 quilts dating from the 1830s-1930s. It's unclear when this will come down..
New York, Saratoga
The Threads of Time. Brookside Museum. Through January, 2013.
Explores the history of quilting in the county in over 20 quilts.
http://www.brooksidemuseum.org/2012/03/behind-the-seams/


 Ohio, Wilmington
Patterns & Prints: Quaker Quilts & Textiles, Quaker Heritage Center of Wilmington College. Through December 14, 2012.  A dozen quilts and coverlets from Clinton County’s Quaker families plus household and clothing textiles, made and collected by Quaker families in Southwest Ohio dating from the 1830s through the 1990s.
http://www2.wilmington.edu/qhc/Exhibits.cfm


South Carolina, Charleston
Geometric Quilts. The Charleston Museum.
Through December 9, 2012.
This year's exhibit features pieced quilts displaying a myriad of designs created from just a few distinct shapes.
http://www.charlestonmuseum.org/exhibits-geometric-quilts

Texas, LaGrange
Celebrating Great Quilts! Antique Quilts from the International Quilt Festival Collection.
Texas Quilt Museum. Through December 30, 2012.
http://www.texasquiltmuseum.org/txqm2/exhibits.html


 

 
 

Virginia, Ferrum
The Great Western Virginia Cover-Up: Historic Quilts & Bedcovers. Ferrum College's Blue Ridge Institute & Museum.Through spring, 2013. 32 quilts and 20 coverlets from the 1700s to 1950.
www.blueridgeinstitute.org    


Virginia, Williamsburg
Quilts in the Baltimore Manner. Colonial Williamsburg. Foster and Muriel McCarl Gallery.
Through May 11, 2014.
A dozen quilts reflecting the strong textile industry and innovative quiltmaking styles of America’s largest seaport of the period 1845 to 1855. Curated by Linda Baumgarten and Kim Ivey.
http://www.history.org/history/museums/abby_art_current.cfm



 
Wisconsin, Cedarburg
A Thread Runs Through It. Wisconsin Museum of Quilts & Fiber Arts.
Through January 6, 2013. The Koval Collection of antique quilts with other shows
http://wiquiltmuseum.com/

I'll update this with winter and spring shows in December, 2012.