Morris Hexathon 4: Box Hill

Morris Hexathon Block 4: Box Hill by Becky Brown

This week's block is a variation on the classic box design,

what we might call Baby's Blocks.

Collection of the Brooklyn Museum, 1880-1900

The design is another one of the hexagonal blocks that we see in 19th-century quilts...

Perhaps influenced by Italian mosaics such as this floor at Pompeii.

The geometry is ancient.

We actually see a simple version of the design as cheater cloth---

 printed patchwork---from about 1840 or earlier,

The block in a late-19th-century silk quilt from the 

Massachusetts project and the Quilt Index

 Box Hill by Bettina Havig

The pattern fits a hexagonal block. It's just one piece---but 27 of them.

I named it for Box Hill in the Surrey hills, a feature in the English landscape that was a venerable tourist attraction when George Lambert painted it in 1733. Jane Austen's fictional Emma's visited and so did William Morris.

The View from Box Hill.

Emma and friends picnicking in a BBC production.

Morris loved exploring the countryside. He wrote a letter to daughter Jenny in June, 1886, after a visit to Box Hill with her sister May. "The place Box Hill is really beautiful with a famous box wood at the top. You and I must go there when you are back in London."

Below the pattern for English Paper-Piecing.

Pattern for an 8" Hexagon

(4" sides)

To Print:

• Create a word file or a new empty JPG file that is 8-1/2" x 11". 
• Click on the image above. 
• Right click on it and save it to your file. 
• Print that file out 8-1/2" x 11". The hexagon sides should finish to 4" across. 
• Adjust the printed page size if necessary. 
• Add seams when you cut the fabric.

I found two published names for BlockBase #240:

• Tea Box from the Farm Journal
• Diamond Cube from the Ladies Art Company

Below a drawing from the LAC catalog, which is a little vague--- missing a few lines.

Diamond Cube

An example made by Mary Gentry about 1910 from the Tennessee Project

and the Quilt Index. The Ladies Art Company may have been her source.

Here's another version from about 1900-1910.

It's hard to see how this one's constructed

An option--- BlockBase #240

Exactly the same pieced design but shaded and set differently

From Julie Silber's collection.

It's all the same pattern, rotated and shaded to different effect.

One More Inspiration

Just to confuse you.

This one's not #240.

An Alternate

I designed this series to be pieced over paper. Another option is to piece this simplified version conventionally. Or save it for later. As the hexies get more difficult you might want an easy block on file.

It's a 60 degree diamond with a 4" finished side.