Monday, October 31, 2022

Southern Spin #8: Noxall

 

Noxall by Becky Brown

Pattern #8 in our Southern Spin sampler is Noxall, published by 
Hearth & Home magazine about 1900.

BlockBase+ # 3557

Noxall was an advertising pun, sort of like Uneeda Crackers.
Knocks All Competition.
Funnier back then.

And it is indeed a eye-catching block.





Noxall by Denniele Bohannon

A circle in the center solves the problem of 8 seams intersecting.

Read more about the pattern here:
http://encyclopediaquiltpatterns.blogspot.com/2018/04/noxall-sunburst.html

Southern Spin 1-8 by Becky Collis 

One more block to go.
A variation, about 1900

Thursday, October 27, 2022

Quilt Market My Virtual Booth 2022

 

Quilt Market & Quilt Festival are scheduled for
 the week of October 29th to November 6th in Houston, Texas.
I often do a virtual booth.

I thought I might boycott Texas due to its current political situation
--- boycott virtually as well as in reality.

But then.....

So here's my virtual booth this year, full of vintage Lone Star quilts
with a patriotic theme just to remind people of what a democracy is.

I have pictures of quite a few red, white & blue Lone Star quilts,
which I can hang in the virtual booth.



And around the corner we have a booth to register Texas voters.


As it's all virtual I invited two old friends Susan B. Anthony and
Elizabeth Cady Stanton to run the table.

Monday, October 24, 2022

A Modern Friendship Basket ca. 1933

 

Nebraska Friendship Quilt
Dated 1936

Notice the edge of diamonds. Tricky binding!

This is such a great example of "modern style" during the 1930s
although it may look anything but modern to us.

The pattern was designed in the art department at the Needlecraft syndicate, a "Laura Wheeler" design. Pattern collectors have many names for this syndicate, among them Old Chelsea Station as that is where you mailed your pattern order.

It's  #749 in BlockBase+

A relatively popular design. I have several photos in the files.

The maker of this top understood 1930s modernism very well.
No old-fashioned dark colors for her: New pastel solids 
and scrappy dress prints.


And like the Nebraska quiltmakers she contrasted prints with plains,
a hallmark of the modern quilt at the time.


Old-fashioned gold and blue palette updated with new shades.
Probably some fading in the stars.

West Virginia project & the Quilt Index

Alma Watkins (1883 - 1937) didn't quite get it. In her sixties when she made the quilt above she seems to be in a transition between new pastels and old-fashioned red & green color scheme. Her top was quilted later by her granddaughters.

North Carolina project & the Quilt Index
Nor did Lucy Tucker

New pattern, old scrap bag

North Carolina project & the Quilt Index
Quilt made for Sarah Royal by friends and relatives
in the Stone Mountain Community, Alleghany County


The color scheme in bold polished cottons and black looks quite modern to us today, but I bet the designers were following North Carolina traditional color with new fabrics. The date 1928 on this block makes no sense as the distinctive patchwork pattern is 1933 but 1928 is Joyce and Boyce's birthdate. The family recalled it as being made in 1939 when the twins were about 10.

And then there's this scrap riot. Scraps from the first half of the 20th century, combined in that aesthetic we have been calling Variable Contrast. 

Here's a pattern for a 12" block from BlockBase+
Print it on an 8-1/2" x 11" sheet. See the inch square for scale.

3 Sheets







Thursday, October 20, 2022

Masonic Quilts & Anti-Masonic Paranoia

Collection Illinois State Museum
What's It All Mean?


We often speculate about symbolism and meaning in antique quilt patterns---usually to no avail although people do love to make up stories. Fraternal imagery like that in this mid-20th-century applique made by The Daughters of Rebekah group in Temple Hill, Illinois, however, is one category where mysterious images do carry meaning we can accurately interpret. The Daughters of Rebekah organization is the women's branch of the International Order of Odd Fellows (IOOF---above with a bit of dyslexia.)



New Jersey man decked out with fraternal imagery,
secret and not so-secret symbols designed to build fellowship and
identify lodge brothers.

Quilt perhaps 1880-1920, attributed to Clydie Alcorn Benson in Nova Scotia
by the Rhode Island project. Photo from the Quilt Index.

The Masons, Freemasons or Scottish Rite associations were the largest fraternal organization in the 19th-century and their symbol of compass and carpenter's square ruler is quite familiar.

Sampler dated 1867 associated with Annie Jackson
Apparently no one is telling us outsiders what that G means, 
although speculation says Geometry or God.


Quilt from "Columbia Lodg No 44 Oh, 1867". 
Collection of the Milwaukee Museum

Many of us are familiar with the Masons as a local, rather old-fashioned, benevolent social group with an often distinguished lodge hall.

Big building, small town Kansas

But the Masons have not always been viewed as a community asset. About 200 years ago the secret society was the target of paranoid hatred that resulted in a political party flourishing on conspiracy theories.
National Heritage Museum, 
Masonic Handkerchief Medallion, ca. 1817, probably New England

The National Heritage Museum in Massachusetts collects and shows material culture from the Masons. Curator Aimee Newell discussed this quilt, the earliest with recognizable Masonic imagery, here:

She dates the central handkerchief, a lexicon of their symbols, to 1814.

The Masons were an 18th-century British fraternity with the first colonial branch established in Boston in 1733. Ambitious and aristocratic American men joined. 

Benjamin Franklin in a Masonic
 apron, ceremonial clothing

Revolutionaries Benjamin Franklin, George Washington, Paul Revere and John Hancock were Masons. But forty years after the Revolution some in Young America began viewing the clandestine group as elite power brokers plotting against rural concepts of American values.

The Burned Over District with Rochester in Monroe County under the arrow

Proclaiming their main point in their name, the Anti-Masonic party prospered in the 1825-1845 period. The party base was western New York, the area known as the Burned Over District due to political and religious fevers that flamed through the region. Believers in unorthodox novel Protestantism, called the Second Great Awakening, feared Enlightenment ideas of theology associated with the Masons. Religion combined with anti-Andrew-Jackson politics (President 1829-1837) plus xenophobia towards outsiders settling there (native New Englanders moving west.) Trends led to paranoid conspiracy theories that attracted many rural working class and conservative yeoman farmers.

Morgan slain

In the mid 1820s William Morgan, claiming to be a disaffected Mason, began revealing secrets in Batavia, New York southwest of Rochester. He was said to have been kidnapped by Masons and drowned in 1826, generating trials with no convictions and an overreaction that eventually led to a viable third-party that elected two governors and many demagogues looking to appeal to the base. 

Library of Congress
A negative view of the new third party

Early Anti-Masons’ theories wove a fabric of loose threads such as distrust of lawyers, politicians and educated elites with fears of the fraternity’s supposed anti-Christian dogma, its international plots aiming to reunite the U.S. with Great Britain and general opposition to the Jackson administration.

Jackson and the Pope?
An Anti-Masonic View of a very doubtful partnership
“The anti-Masonic movement was a product not merely of natural enthusiasm but also of the vicissitudes of party politics. It was joined and used by a great many men who did not fully share its original anti-Masonic feelings. It attracted the support of several reputable statemen who had only mild sympathy with its fundamental bias, but who as politicians could not afford to ignore it.” Richard J. Hofstadter, 1964.

Greeley  and his HG campaign fabric 1872
He lost to incumbent U.S. Grant

Future Democratic Presidential candidate, young New Yorker Horace Greeley (1811-1872 ) recalled being a “devoted Anti-Mason,” although he acknowledged the movement supported “unprincipled demagogues.” Radical sentiments coalesced into a viable third party with the first political convention held in 1831, definitely opposed to the secret society. 

Opposition view of that first party convention in Baltimore (Valdimor)

Anti-Masonic plank in the platform:
“The Lodge is an enemy of the home. How often a Mason spends $3OO for his uniform, while his wife wears a $1.50 calico dress.”

Free Library of Philadelphia Collection

Anti-Masonic mania died out in the mid- to late-1830s as the Whig party developed more practical principles based on opposition to Jackson. Many Anti-Masonic politicians became Whigs. 

Katcher Collection
Pro-Harrison, pro-Whig block from a Baltimore album 
quilt associated with Sarah Mary Poole

William Henry Harrison, elected President as a Whig in 1840, had been considered for the Anti-Masonic nomination four years earlier. 

Portraits of Andrew Jackson and fellow Democrat Martin Van Buren
in the home of a hungry family in 1837

Grassroots concerns became focused on real threats as the widespread Panic of 1837 threw a third of New Yorkers out of work and reduced wages for those who were still employed by a third to a half.
“1833-1843 witnessed the rapid decline….In New York, the cradle of Antimasonry, [Thurlow] Weed and his circle could hardly wait for the dust to settle on the 1832 election before [forming] the Whig Party….Antimasonry was a little more than memory by 1837.” William Preston Vaughn, The Anti-Masonic Party in the United States: 1826-1843, 2014.
Like later political movements based on conspiracies and hatred, Anti-Masonry burnt out. Consider the Know Nothing party of the 1850s, the Joseph McCarthy anti-communist campaign of the 1950s. 


As one can imagine, Masons suffered much from the hate of the 1825-1840 years, losing many members and lodges. Once conspiracy theories were forgotten they enjoyed a revival, which we see reflected in the Masonic quilts of the 1840s and beyond.

Border corner in a four-block quilt, last half 19th-c.

National Museum of American History
Appliqued sampler by Susan Rogers, dated 1867, Brooklyn, New York

Why are so many of these dated right after the Civil War, 1867-1868?
My guess is that the Order of the Eastern Star welcoming women as well as men to Masonic society, which was founded in 1850, underwent expansion under new leadership in 1866. An area for further research....

Quilt dated 1868, attributed to Spiritualist Community in 
Willimantic, Connecticut with Jumbo the elephant
 and a Masonic compass among other symbols.

Why paranoia becomes politics is a more mysterious question. Historian Richard Hofstadter looked at Anti-Masonry's transition from one held by “certifiable lunatics” to “more or less normal people,” in his 1964 essay:
“I have neither the competence nor the desire to classify any figures of the past or present as certifiable lunatics. In fact, the idea of the paranoid style as a force in politics would have little contemporary relevance or historical value if it were applied only to men with profoundly disturbed minds. It is the use of paranoid modes of expression by more or less normal people that makes the phenomenon significant.”


National Heritage Museum, Sampler attributed to
Jane Haight Webster (1808-1877) 

Further Reading

William Preston Vaughn, The Anti-Masonic Party in the United States: 1826-1843, 2014.
https://www.google.com/books/edition/The_Anti_Masonic_Party_in_the_United_Sta/vZcfBgAAQBAJ?hl=en&gbpv=1&dq=political+platform+antimason+1831&printsec=frontcover

"The Paranoid Style in American Politics," essay by American historian Richard J. Hofstadter, first published in Harper's Magazine in November, 1964.

New England quilt museum curator Pam Weeks has a Pinterest Page on Masonic Symbols in Quilts: