Tuesday, March 30, 2010

Hexagons Again

Hexagon patchwork from about 1830 with the papers and the basting still in them.

Susan wants to know:

Are quilts with paper temples “quilted”? Are they stitched---quilted through the layers? Are they quilted around the pieces? Are they tied or are they just backed and unquilted? It seems they would need to be held together some how especially with the added weight of the paper. I guess some women removed the paper but it seems most I’ve seen are unfinished.

It depends.

In England, 19th-century quiltmakers (note I didn't say quilters) often left the papers in and they finished off the edges to make what we might call a summer spread---an unquilted top.

Early 19th century British medallion

See more about it at: http://www.oldfashionedstuff.co.uk/id12.html
In America, 19th-century quiltmakers sometimes removed the papers and quilted the piece. And sometimes they didn't.


Early 19th-century, quilted hexagon medallion
See more about this terrific quilted version at Betsy Telford-Goodwin's web site:
http://www.rockymountainquilts.com/files/antiquequilt_btcefp.php

The later in the century,  the more likely the hexagon quilts were to have been quilted and to have been pieced with a running stitch rather than to have been pieced over papers with a whip stitch.


Detail of a quilt top in the 1890s or so, probably pieced in conventional running stitch

After 1880 or so the idea of using the paper templates behind the hexagons became so-o-o-o-19th-century and most quiltmakers stitched their hexagons together using the standard running stitch without any papers. And quilted or tied them.


Quilted hexagon quilt from 1860-1890

Some hexagon quilts from recent online auctions



This one from the late 19th century is made of wools, silks, blends, etc.
It looks pretty heavy, yet it's quilted close to the seam with a tiny red stitch.



When the hexagon idea became a new fad in the 1930s, nobody used paper and they quilted their Grandmother's Flower Gardens.

Grandmother's Flower Garden from the 1930s.
Quilters usually quilted around each hexagon.

See a rather fancy 30's version by clicking here:
http://www.nebraskahistory.org/images/sites/mnh/quilts_a_z/8027-16.jpg


This British medallion with appliqued rosettes was shown at Houston's Quilt Festival last fall. It's not quilted at all, as far as I can tell.
Susi at Susi's Quilts found it online and was inspired to make a reproduction. I had seen it the year before in an online British auction. See more Houston pictures at Virginia Cole's Galloping Pony blog.

Watch Susi's progress here:


Sunday, March 28, 2010

More Inspiration from Rose Kretsinger

Oriental Poppy by Rose Kretsinger, about 1930.
Collection of the Spencer Museum of Art.


Rose and daugher Mary about 1915




I have a pattern for the Oriental Poppy that I drew up for a class I taught a few years ago. Here I am holding blocks by Denniele Bohannon and Gloria Clark.
Below is Gloria's in progress.
She's working on the border.

Oriental Poppy by Gloria Clark



Rose's had simple swag and flower border.
Charlotte Jane Whitehill who lived in Emporia also made one from Rose's pattern
 but she used a different border, a double scallop.

Oriental Poppy by Charlotte Whitehill, about 1930.
Collection of the Denver Art Museum.


I decided to make one and update the colors
Oriental Poppy by Barbara Brackman and Pam Mayfield.
I hand appliqued it and Pam added the sawtooth border and machine quilted it.
I did not do the reverse applique.

If you'd like a copy of the pattern draft we used in class click here to download a PDF.
of a pattern for the block and border applique:

http://www.barbarabrackman.com/Oriental%20Poppy.pdf



Friday, March 26, 2010

OUCH!


My Brackets Below


I live in Basketballburg USA, Lawrence, Kansas
You may not know that we lost a big game last weekend.


I wouldn't even bring it up, but I had big plans---

Deb Rowden and I are working on a book about sports quilts featuring Jayhawk basketball quilts.
Deb found one from the 1930s with James Naismith's and Phog Allen's signatures on it.


We made one with signatures of former coaches and players.

How could we have lost?


The show must go on and the book will be out in July.
Why didn't we feature Northern Iowa?

Everyone is upset. Check out this youtube video to see a Hitleresque rage:
http://www.youtube.com/watch?v=3uejv2zz6bU

Look in your quilt shop in July for the book with the tentative title of Sew Into Sports: Quilts For the Sports Fans in Your Life.

I could probably photoshop some Northern Iowa Panthers onto those shoes




Wednesday, March 24, 2010

Log Cabin- How Old is the Name?

Log Cabin, set in a variation of the barn raising, late 19th century.
All quilts from Laura Fisher.

Scrappy Bee had a question in January:
I think many people made log cabin quilts, partly because the are easy to do and you can play with colors and settings. Was the block called Log Cabin from the start?

Detail of the quilt above, a remarkably simple block in a complex set.
The floral prints are delaine (wool-cotton combination fabrics).

It's hard to know what 19th century people named their quilts. So few written records mention a quilt by name. Fair records, for example, listed numerous prize winners with generic names like "silk quilt", "patch-work quilt cover," and "cradle quilts." But we are lucky here because we do see fair records mentioning the "log quilt" pattern, also called "log cabin". The pattern was so popular in the 1870-1900 period that fairs opened categories specifically for log cabin quilts.


Cotton Log Cabin in Courthouse Steps set on point, about 1875


Virginia Gunn found that Log Cabins received a commendation by name at the Ohio State Fair in 1863 (the pattern seems to have developed about that time) and again in 1868. In June of 1866, an Iowa diarist known only as "Abbie" wrote that she "went to town, bought Delaine [wool blend] for my log cabin." On the last day of July she "wrote a letter to Sis and worked on my log cabin."

Straight Furrow set, about 1900


Log Cabin seems to be the standard name, but the 1889 Ladies' Art Company pattern catalog called it the "Log Patch". The British authors of an 1882 needlework manual noted that the design and technique were "well known in Canada under the name 'Loghouse Quilting' but only lately introduced in England.…This patchwork is more commonly known as 'Canadian patchwork'." English names also include "Egyptian" or "Mummy Pattern", referring to mummy wrappings of dark and light strips in a similar design.

Display of Egyptian cat mummies at the British Museum.
Is that cat on the left wrapped in a log cabin design or what!


Unusual set

Courthouse Steps Set 
So in answer to your question: We can assume quilters called the block log cabin. The names of the set variations are the standards we use today but their sources haven't been studied.

Zig-Zag set, about 1900

It's one of my favorites and dealer Laura Fisher's too. She often sends me photos of terrific log cabins, the source of the pictures here. Browse her inventory:
http://www.laurafisherquilts.com/catalog.html

And Dr. Virginia Gunn, who has done most of the research into log cabin quilts, is teaching a Distance Delivery Course at the University of Nebraska.

Here's the info:
History of Quilts,
June 7 - August 12, 2010
3 credit hours
Class limit: 24 students

Learn more about the fascinating history of quilts through this ten-week graduate credit course created for distance delivery. Dr. Virginia Gunn will moderate course discussions on the course website and is the guest instructor for the course. Dr. Gunn is a Professor at the University of Akron (Ohio). She holds a degree in American History and teaches courses in the history of dress, history of textiles and history of interiors at the University of Akron. She is a past president of the American Quilt Study Group (AQSG) and served as editor of its annual monograph, Uncoverings, from 1995-2003.

Read more about being admitted to the course by clicking here:
http://www.quiltstudy.org/education_research/graduate_programs/courses_workshops.html

Monday, March 22, 2010

Applique Tutorials


McCordsville, quilt top by Barbara Brackman,
inspired by the work of Susan McCord.

Karla Menaugh's blog offers a class in fine machine applique. A recent topic is how to prepare and applique split leaves or two-tone leaves like those in the quilt above.


 The pattern is from a book that Karla, Shauna Christensen, Deb Rowden and I did several years ago called Our Favorite Quiltmakers: Susan McCord.



Thanks, Susan McCord by EuJane Taylor,
Photographed at Quilt Market a few years ago.

The Shade Garden Sampler included several applique blocks based on McCord's style.




Shade Garden Sampler by Joan Nell


Cut Glass Dish by Dorothy LeBeouf


Cut Glass Dish by Ilyse Moore

See Susan McCord's original Harrison Rose from the collection of the Henry Ford Museum and a quilted version at Wendy Sheppard's blog

See more about our book here:

Saturday, March 20, 2010

Were You Invited?

Applique coverlet, cotton, Britain, about 1851,
 T.86-1957, © V&A Images/Victoria and Albert Museum

The place to be today is London for the opening day of the show at the Victoria and Albert Museum, Quilts 1700 - 2010.


Click here for information about the show:
http://www.vam.ac.uk./
 

Center, Sundial Quilt dated 1797

Actually the place to have been was the preview party on Wednesday. If you weren't invited you might want to check out these blog entries by people who were. Get a sneak preview.


http://aquiltersjournal.blogspot.com/2010/03/quilts-2010-at-victoria-albert-museum.html
http://aquiltersjournal.blogspot.com/2010/03/quilts-1700-2010-victoria-and-albert.html


http://makedoandmendquilts.blogspot.com/2010/03/quilts-1700-2010-at-victoria-and-albert.html

http://www.quiltingonline.co.uk/2010/03/preview-of-quilts-1700-2010-at-v.html

Wednesday, March 17, 2010

Inspired by Rose Kretsinger


Orchid Wreath by Rose Good Kretsinger, 1929,
 Emporia, Kansas, collection of the Helen F. Spencer Museum of Art.

Rose Good Kretsinger created some of the most remarkable 20th-century quilts. I've been working on patterns for friends and students for several years interpreting her designs.


I am crazy about iris in all their varieties so I adapted the Orchid Wreath into an Iris Wreath.

 For her Iris Wreath Lori Kukuk used the pattern that's in my book Making History: Quilts and Fabrics from 1890-1970. She machine quilted it with her typical amazing quilting.

Ilyse Moore is working on a version on a black background.

Here's another interpetation of the Orchid Wreath using lilacs on the cover of Jennifer Chiaverini's book.



I blogged about Rose Kretsinger a few months ago and someone asked where they could read more about her. At the bottom of this posting is a bibliography of print and online sources.

Here's the blog posting about her Antique Rose quilt.
http://barbarabrackman.blogspot.com/2009/12/rose-kretsinger-pattern.html

A Bibliography of Information about Rose Kretsinger

Carrie Hall and Rose Kretsinger, The Romance of the Patchwork Quilt (Caldwell, Idaho: Caxton Printers, 1935) Read her chapter on quilting for her ideas and designs.

Some online information:

http://www.pbs.org/americaquilts/century/time/emporia.html

http://www.quiltershalloffame.net/index_files/Page994.html

See her quilts at the Spencer Museum of Art (plus jewelry by her daughter and some of her influences)

http://collection.spencerart.ku.edu/eMuseumPlus?service=ExternalSearch&module=collection&fulltext=kretsinger

Jonathan Gregory has studied her life extensively
Jonathan Gregory, "The Joy of Beauty: The Creative Life and Quilts of Rose Kretsinger," Uncoverings 2007 (Vol. 28) from the American Quilt Study Group. Click here to buy a copy of that issue.
http://www.americanquiltstudygroup.org/UCDetail.asp?ID=28

The International Quilt Study Center & Museum has posted a podcast of his lecture:
"An Aesthetic Life: the Story of Quiltmaker Rose Kretsinger." Presented March 6, 2009. View it by clicking here:
http://www.quiltstudy.org/connections/resources/podcasts_video.html

I have written about her in several publications

Kansas Quilts & Quilters by Jennie Chinn et al. Chapter by Barbara Brackman---
"Emporia 1925-1950: Reflections on a Community"

Quilters Hall of Fame, Editors Merikay Waldvogel & Rosalind Webster Perry. Chapter by Barbara Brackman---"Rose Kretsinger"

Flora Botanica: Quilts from the Spencer Museum of Art by Barbara Brackman, contains short essays on two of her quilts. Read more here:
https://www.pickledishstore.com/productDetail.php?PID=1090

Women of Design: Quilts in the Newspaper by Barbara Brackman, contains short chapter on her. Read more here:
https://www.pickledishstore.com/productDetail.php?PID=441

And read more about my book Making History with the Iris Wreath pattern by clicking here.
http://www.ctpub.com/productdetails.cfm?PC=1212
Scroll way down to the bottom of the page and click on the Google book preview to read the first chapter on late 19th century quilts.

Sunday, March 14, 2010

Kuna Women and Their Molas



Mola "Perro Muscica" from the collection of Joyce Cheney

St. Louis's Sheldon Art Museum has on exhibit Kuna Mola: Maintaining Tradition Amid Change through May 8th.

"This exhibition, from the collection of Joyce Cheney, features over 60 exquisite examples of molas made by Kuna women in Panama in the latter part of the 20th century."

Detail of a mola
featuring a woman sewing
from the Cheney collection, about 1990

Kuna women who live on the San Blas Islands use reverse applique to stitch panels that they wear on their clothing and sell to tourists.


Traditional dress includes indigo dyed skirts from Europe,
blouses with mola panels stitched to the front and beaded leggings and wrist coverings.

The women wear the family wealth in the form of gold jewelry around their necks. These two show off gold plates. When I visited thirty years ago they wore necklaces of gold coins.



See more about the Kuna, who may be the world's best dressed women, by clicking on these links.
http://molaandco.blogspot.com/  
http://thorup.com/mola.html
http://www.galenfrysinger.com/san_blas_kuna.htm

See more about the exhibit here: http://www.thesheldon.org/galleries_current.asp

I found out about it by checking one of the best blogs for visuals, The Curated Object.
http://www.curatedobject.us/the_curated_object_/exhibitions_st_louis/